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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre literary theme

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1. The Cypress Grove

The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Moeris and Galatea

Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Opening the Fold

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Bellman

The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Bellman

The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Sepulchre

The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1800; impression printed in 1924
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Farmer's Wife and the Raven

The Farmer's Wife and the Raven
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette and rocker work, first state
Dimensions:
Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. From Spenser's Fairy Queen

From Spenser's Fairy Queen
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Fifth Plague of Egypt

The Fifth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Procris and Cephalus

Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. From Spenser's Fairy Queen

From Spenser's Fairy Queen
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Aeneas Relating His Adventures to Dido

Aeneas Relating His Adventures to Dido
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Book of Thel, Plate 1, "Thel's Motto . . . ."

The Book of Thel, Plate 1, "Thel's Motto . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Book of Thel, Plate 2, Title Page

The Book of Thel, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Jerusalem, Plate 13, "And that toward Eden...."

Jerusalem, Plate 13, "And that toward Eden...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 17, "His Spectre divides...."

Jerusalem, Plate 17, "His Spectre divides...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Plate 36, "Reuben returnd to his place...."

Jerusalem, Plate 36, "Reuben returnd to his place...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Jerusalem, Plate 44, "With one accord...."

Jerusalem, Plate 44, "With one accord...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Jerusalem, Plate 48, "These were his last words...."

Jerusalem, Plate 48, "These were his last words...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Jerusalem, Plate 54, "In Great Eternity...."

Jerusalem, Plate 54, "In Great Eternity...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Jerusalem, Plate 10, "Into the Furnaces...."

Jerusalem, Plate 10, "Into the Furnaces...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Jerusalem, Plate 15, "And Hand & Hyle...."

Jerusalem, Plate 15, "And Hand & Hyle...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Jerusalem, Plate 26, "Such Visions Have...."

Jerusalem, Plate 26, "Such Visions Have...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Jerusalem, Plate 27, "To the Jews...."

Jerusalem, Plate 27, "To the Jews...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Jerusalem, Plate 29, "Then the Divine Vision...."

Jerusalem, Plate 29, "Then the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Jerusalem, Plate 30, "And the Two that escaped...."

Jerusalem, Plate 30, "And the Two that escaped...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Jerusalem, Plate 52, "To the Deists...."

Jerusalem, Plate 52, "To the Deists...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Plate 56, "Then Los heaved...."

Jerusalem, Plate 56, "Then Los heaved...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Jerusalem, Plate 55, "When those who disregard...."

Jerusalem, Plate 55, "When those who disregard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Young's Night Thoughts, Page 27, "O treacherous conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection