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1
- Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
- ca. 1941
2
- Oberon and Titania
- 1837
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Lear Awakened by Cordelia
- between 1774 and 1775
5
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
6
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
7
- Miranda, Prospero, and Caliban: The Tempest
- undated
8
- Prospero and Miranda
- ca. 1787
9
- Sketchbook Drawing
- ca. 1793
10
- Witches' Cavern: MacBeth's Second Visit
- undated
11
- The Witches' Cavern
- between 1792 and 1793
12
- Witches' Cavern: MacBeth's Second Visit
- undated
13
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
14
- The Banquet Scene
- ca. 1792
15
- MacBeth: Banquet Scene
- undated
16
- MacBeth: Banquet Scene
- undated
17
- MacBeth: Banquet Scene
- undated
18
- MacBeth at the Witches' Cave: Second Visit
- undated
19
- MacBeth: Banquet Scene
- undated
20
- MacBeth: Banquet Scene
- undated
21
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
22
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
23
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
24
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
25
- Titania's Attendants Chasing Bats
- undated
26
- Unidentified Subjects
- undated
27
- John Henderson as Falstaff
- 1780
28
- Sketchbook Drawing
- ca. 1793
29
- Sketchbook Drawing
- ca. 1793
30
- Sketchbook Drawing
- ca. 1793
31
- Sketchbook Drawing
- ca. 1793
32
- Sketchbook Drawing
- ca. 1793
33
- Sketchbook Drawing
- ca. 1793
34
- Sketchbook Drawing
- ca. 1793
35
- Sketchbook Drawing
- ca. 1793
36
- Sketchbook Drawing
- ca. 1793
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- Sketchbook Drawing
- ca. 1793
40
- Sketchbook Drawing
- ca. 1793
41
- Sketchbook Drawing
- ca. 1793
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
46
- Tempest, Version A
- undated
47
- Sketch for Canidia and the Youth
- undated
48
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
49
- Lear Awakened by Cordelia
- ca. 1774
50
- Birth of Man
- undated
51
- Sketchbook Drawing
- ca. 1793
52
- Sketchbook Drawing
- ca. 1793
53
- Sketchbook Drawing
- ca. 1793
54
- Sketchbook Drawing
- ca. 1793
55
- Sketchbook Drawing
- ca. 1793
56
- Sketchbook Drawing
- ca. 1793
57
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
58
- Standing Figure, Probably for Lady Macbeth
- undated
59
- Paradise Lost Sketchbook
- ca. 1793
60
- Daphnis and Chloe
- undated
61
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
62
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
63
- The Shepherd, from Songs of Innocence
- ca. 1795
64
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
65
- Jerusalem, Plate 100
- 1804 to 1820
66
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
67
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
68
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
69
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
70
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
71
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
72
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
73
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
74
- Jerusalem, Plate 43, "They saw their Wheels...."
- 1804 to 1820
75
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
76
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
77
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
78
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
79
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
80
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
81
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
82
- The Book of Thel, Plate 2, Title Page
- 1789
83
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
84
- The Book of Thel, Plate 1, "Thel's Motto . . . ."
- 1789
85
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
86
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
99
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
100
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789