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George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney Sketch for Canidia and the Youth
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Daphnis and Chloe
George Romney, 1734–1802
Daphnis and Chloe
undated
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Unidentified Subjects
George Romney, 1734–1802
Unidentified Subjects
undated
George Romney Titania's Attendants Chasing Bats
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth at the Witches' Cave: Second Visit
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Tempest, Version A
George Romney, 1734–1802
Tempest, Version A
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
Robert Smirke Illustration for Don Quixote (with figures on a donkey)
Robert Smirke, 1752–1845
Illustration for Don Quixote (with figures on a donkey)
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
undated
unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
David Scott Six Designs for Nichol's - Architecture of the Heavens - Spirits of Peace
David Scott, 1806–1849
Six Designs for Nichol's - Architecture of the Heavens - Spirits of Peace
1848
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
David Scott Six Designs for Nichol's - Architecture of the Heavens - Footprint of Diety Receding Systems
David Scott, 1806–1849
Six Designs for Nichol's - Architecture of the Heavens - Footprint of Diety Receding Systems
1848
David Scott SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
David Scott Six Designs for Nichol's - Architecture of the Heavens: Lycho and Kepler: Observations and Generalizations
David Scott, 1806–1849
Six Designs for Nichol's - Architecture of the Heavens: Lycho and Kepler: Observations and Generalizations
1848
David Scott SixDesigns for Nichol's - Architecture of the Heavens - Man and Woman Unite in Praise
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man and Woman Unite in Praise
1848
George Augustus Sala Mefistofile II
George Augustus Sala, 1828–1895
Mefistofile II
1880
Robert Smirke Illustration for Don Quixote, Two Figures at a Table
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
Robert Smirke Scenes from an Eastern Romance [Arabian Nights]
Robert Smirke, 1752–1845
Scenes from an Eastern Romance [Arabian Nights]
undated
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
James Peak Mercury and Battus
James Peak, 1703–1782
Mercury and Battus
Peter Simon Tom Jones
Peter Simon, 1750–1810
Tom Jones
Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
John Chapman Jacques discovered by the Duke
John Chapman, active ca. 1792–1823
Jacques discovered by the Duke
1795
unknown artist Falstaff reproved by King Henry
unknown artist
Falstaff reproved by King Henry
1792
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Thomas Rowlandson The Journalist, with a view of Auchinleck or the Land of Stones
Thomas Rowlandson, 1756–1827
The Journalist, with a view of Auchinleck or the Land of Stones
1786
Francesco Bartolozzi The Death of Arcite
Francesco Bartolozzi, 1728–1815
The Death of Arcite
1790
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
Henry Courtney Selous Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated