Tour in Somersetshire, Album of Drawings and Prints
from 1834 to 1837
120
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
121
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
122
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
123
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
124
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
125
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
126
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
127
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
128
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
129
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
130
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
131
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
132
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
133
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
134
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
135
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
136
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
137
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
138
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
139
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
140
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
141
Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
142
Louis I. Kahn, 1901–1974
Architectural sketch
143
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
144
Edward Walhouse Mark, 1817–1895
The Tuscan Order
undated
145
Edward Walhouse Mark, 1817–1895
The Roman Doric or Italian of Palladio
undated
146
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
147
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
148
unknown artist
A Half-Timbered House
ca. 1800
149
unknown artist
Design for a Classical House
undated
150
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
151
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
152
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
153
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
154
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
155
Decimus Burton, 1800–1881
Panorama for an Estate
156
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
157
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
158
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
159
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
160
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
161
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
162
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
163
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
164
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
165
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
166
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
167
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
168
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
169
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
170
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
171
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
172
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
173
unknown artist
Cobham Hall, Kent: Sketch for a bed
ca. 1790
174
unknown artist
Herstmonceux Castle
undated
175
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
176
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
undated
177
Henry Phillip Hope, active 1799–1818
Arabes
undated
178
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
179
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
180
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
181
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
undated
182
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
183
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
184
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
185
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
186
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
187
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
188
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
189
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
190
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
191
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
192
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
193
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
194
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
195
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
196
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
197
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
198
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
199
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
200
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style