Attributed to Gangaram Chintaman Tambat, active 1790s
Vishnu Riding a Horse Composed of Women
undated
9
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
10
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
11
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
12
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
13
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties Weightlifting
undated
14
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Exercising
undated
15
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
16
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Weightlifting
undated
17
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
18
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
19
Gangaram Chintaman Tambat, active 1790s
Three Jeyties Exercising
ca. 1792
20
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
21
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
22
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
23
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
24
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
25
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
26
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
27
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
28
James Gwin, 1700–1769
Seconde Position du Salut
1763
29
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
30
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
31
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
32
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
33
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
34
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
35
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
36
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
37
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
38
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
39
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
40
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
41
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
42
unknown artist
The Royal Sport, Pit Ticket
undated
43
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
44
Print made by John Smith, 1652–1743
Children Playing with a Mask
1703
45
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
46
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
47
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
48
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
49
Sawrey Gilpin, 1733–1807
Flying Christian From the Life
1760
50
Valentine Green, 1739–1813
Charles William Henry, Earl of Dalkeith
1778
51
Print made by John Browne, 1741–1801
The Sportsman
1775
52
George Vertue, 1684–1756
Sir John Suckling
1744
53
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
54
James Gwin, 1700–1769
Premiere Position du Salut
1763
55
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
56
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
57
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
58
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
59
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
60
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
61
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
62
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
63
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
64
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
65
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
66
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
67
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
68
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
69
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
70
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
71
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
72
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
73
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
74
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
75
Print made by Thomas Burford, ca. 1710–after 1774
The Death of the Fox
1794
76
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
77
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
78
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
79
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
80
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
81
Victor Marie Picot, 1744–1805
Winter
1794
82
Francesco Bartolozzi, 1728–1815
Diana Preparing for the Hunt
1781
83
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
84
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
85
Print made by James Walker, 1748–1808
Wakefield
1798
86
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
87
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
88
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
89
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
90
James Seymour, 1702–1752
Coursing - After the Kill
undated
91
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
92
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
93
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
94
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
95
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
96
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
97
John Wootton, 1682–1764
A Stag Hunt
undated
98
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
99
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background