The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
2
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
3
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
4
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
5
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
6
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
7
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
15
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
16
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
17
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
18
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
34
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
35
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
36
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
37
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
38
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
39
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
40
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
41
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
42
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
43
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
44
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
45
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
46
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
47
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
48
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
49
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
50
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
51
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
52
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
53
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
57
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
58
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
59
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
60
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
61
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
62
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
63
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
64
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
65
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
66
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
67
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
68
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
69
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
70
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
71
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
72
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
73
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
74
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
75
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
76
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
77
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
78
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
79
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
80
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
81
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
82
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
83
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
84
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
85
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
86
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
87
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
88
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
89
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
90
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7 (Bentley 12)
1794
91
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
92
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
93
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
94
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
95
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
96
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
97
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
98
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]