London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
48
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
49
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
50
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
51
Print made by William Miller, 1796–1882
A Garden
1834
52
Print made by William Miller, 1796–1882
An Old Manor House
1834
53
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
54
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
55
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
56
Print made by Edward Goodall, 1795–1870
Valombre
1834
57
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
58
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
59
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1834
60
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
61
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
62
William Finden, 1787–1852
An Arabesque
1834
63
William Finden, 1787–1852
An Arabesque
1834
64
Henry Le Keux, 1787–1868
A Convent Gate
1829
65
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
66
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
67
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
68
Print made by William Richardson, active 1842–1877
Ashestiel
1835
69
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire