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1. Sir Richard Steele's Cottage, Hampstead

Sir Richard Steele's Cottage, Hampstead
Creator:
John Constable, 1776–1837
Date:
1831 to 1832
Materials & Techniques:
Oil on canvas
Dimensions:
8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A View from Hampstead Heath (?)

A View from Hampstead Heath (?)
Creator:
John Constable, 1776–1837
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Hampstead Heath Looking Towards Harrow

Hampstead Heath Looking Towards Harrow
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Hampstead Heath

Hampstead Heath
Creator:
John Constable, 1776–1837
Date:
ca. 1825
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 25 1/2 inches (45.7 × 64.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Cloud Study, Early Morning, Looking East from Hampstead

Cloud Study, Early Morning, Looking East from Hampstead
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper on board
Dimensions:
5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Hampstead Heath looking towards Harrow

Hampstead Heath looking towards Harrow
Creator:
John Constable, 1776–1837
Date:
1821 to 1822
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton

David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
ca. 1762
Materials & Techniques:
Oil on canvas
Dimensions:
43 1/4 x 53 inches (109.9 x 134.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Opposite my House at Barnes

Opposite my House at Barnes
Creator:
Edward William Cooke, 1811–1880
Date:
1862
Materials & Techniques:
Oil on panel
Dimensions:
11 15/16 x 18 15/16 inches (30.3 x 48.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. The Great Fire of London

The Great Fire of London
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1797
Materials & Techniques:
Oil on canvas
Dimensions:
23 5/8 × 32 inches (60 × 81.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Greenwich Hospital from the Observatory with a Distant View of London

Greenwich Hospital from the Observatory with a Distant View of London
Creator:
Thomas Christopher Hofland, 1777–1843
Date:
1824
Materials & Techniques:
Oil on paper laid to panel
Dimensions:
9 7/16 x 13 3/16 inches (24 x 33.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Landscape at Hampstead, with Harrow in the Distance

Landscape at Hampstead, with Harrow in the Distance
Creator:
Lionel Constable, 1828–1887
Date:
between 1849 and 1855
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. Orleans House, Twickenham

Orleans House, Twickenham
Creator:
Joseph Nickolls, active 1713–ca. 1755
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
17 1/4 x 32 inches (43.8 x 81.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. London from Greenwich Hill

London from Greenwich Hill
Creator:
Henry Dawson, 1811–1878
Date:
1869 to 1870
Materials & Techniques:
Oil on canvas
Dimensions:
72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

14. Design for London Bridge Approach

Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. St. Martin's Church Westminster

St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View of the Thames at Kingston

View of the Thames at Kingston
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Houses at Kingston on the Thames

Houses at Kingston on the Thames
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Marshes opposite Erith

Marshes opposite Erith
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 19 7/16 inches (30.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

27. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Greenwich

Greenwich
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 10 inches (28.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. West India Docks

West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

34. An Encampment in St. James Park

An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Breaking Up of the Agamemnon, no. 1

The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

38. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

39. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Sunset on the Thames

Sunset on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/16 x 9 13/16 inches (17.9 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

42. Sunset on the Thames

Sunset on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 8 5/8 inches (16.5 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Thomas W. Farnam, B.A. 1899

43. Sunset on the Thames

Sunset on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 3/8 inches (19.7 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. The Church of St. Mary Le Bow in Cheapside London

The Church of St. Mary Le Bow in Cheapside London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

46. The Baptist Church House, Southampton Row, W. C.

The Baptist Church House, Southampton Row, W. C.
Creator:
Arthur Keen, 1861–1938
Date:
ca. 1901
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 14 inches (43.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

47. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London
Creator:
unknown artist
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

48. Bromley Hill

Bromley Hill
Creator:
Peter DeWint, 1784–1849
Date:
1812
Materials & Techniques:
Watercolor and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. St. Martin's Church

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

50. Le Pont de Waterloo a Londres

No cover image available
Creator:
John Postle Heseltine, 1843–1929
Date:
1897
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery