Horn Plantains on the Stalk, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 14]
undated
202
Mrs. P. D. H. Page, 20th century
Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]
undated
203
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
204
Mrs. P. D. H. Page, 20th century
Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
undated
205
Mrs. P. D. H. Page, 20th century
Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
undated
206
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
207
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
208
Mrs. P. D. H. Page, 20th century
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
undated
209
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
undated
210
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
211
Mrs. P. D. H. Page, 20th century
Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]
undated
212
Mrs. P. D. H. Page, 20th century
Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
undated
213
Mrs. P. D. H. Page, 20th century
Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
undated
214
Mrs. P. D. H. Page, 20th century
Milkweed, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 55 A]
undated
215
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
216
Mrs. P. D. H. Page, 20th century
Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
undated
217
Mrs. P. D. H. Page, 20th century
Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
undated
218
Mrs. P. D. H. Page, 20th century
Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
undated
219
Mrs. P. D. H. Page, 20th century
Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
undated
220
Mrs. P. D. H. Page, 20th century
Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]
undated
221
Mrs. P. D. H. Page, 20th century
Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
undated
222
Mrs. P. D. H. Page, 20th century
Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
undated
223
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
224
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
225
Mrs. P. D. H. Page, 20th century
Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
undated
226
Mrs. P. D. H. Page, 20th century
Indians Fishing, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 46 A]
undated
227
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
228
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
229
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
230
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
231
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
232
Print made by Abraham Blooteling, 1640–1690
Anne Killigrew
ca. 1680
233
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
234
William Ridley, 1764–1838
Angelica Kauffmann, R. A
1809
235
Print made by Elizabeth Judkins, active 1772–1775
The Careful Shepherdess (Miss Searle)
1775
236
Print made by Elizabeth Judkins, active 1772–1775
Mrs. Abington
1772
237
Print made by Caroline Watson, 1760–1814
Prince William Frederick of Gloucester
1784
238
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
239
Elizabeth Byrne, active 1812–1850
The Foundling Hospital for the Beauties of England and Wales; page 3 (Volume Two)
240
Print made by Caroline Watson, 1760–1814
Sir Joshua Reynolds
1789
241
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
242
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
243
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
undated
244
Print made by Caroline Watson, 1760–1814
Samuel Richardson
1804
245
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
246
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
247
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
248
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
249
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
250
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
251
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
252
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
253
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
254
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
255
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
256
Robert Smirke, 1752–1845
Study of an Interior Scene, with Roman Soldiers
undated
257
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
258
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
undated
259
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
260
Robert Smirke, 1752–1845
Study of a Woman, being Taken Away by a Winged Being
undated
261
Robert Smirke, 1752–1845
Study of Knights, Paying Homage, to the King
undated
262
Robert Smirke, 1752–1845
Study of Armored Knights in Battle with Horses
undated
263
Robert Smirke, 1752–1845
First Design of a Battle Scene
undated
264
Robert Smirke, 1752–1845
Study of a Semi-Nude Woman, Sitting, with Her Arms Raised Over Her Head
undated
265
Robert Smirke, 1752–1845
Studies of Figures and Seals from Sandfords Geneal History
undated
266
Robert Smirke, 1752–1845
Studies for Armour
undated
267
Robert Smirke, 1752–1845
Studies from Cotton MSS Nero
undated
268
Robert Smirke, 1752–1845
Study for a Piece of Furniture
undated
269
Robert Smirke, 1752–1845
Wooded Scene with a Couple Laying under a Tree, by a Stream
undated
270
Robert Smirke, 1752–1845
Diana and Actaeon
undated
271
Robert Smirke, 1752–1845
Figure Study of a Nude Woman in a Wooded Landscape