Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
4
George Romney, 1734–1802
Daphnis and Chloe
undated
5
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
6
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
7
George Romney, 1734–1802
Unidentified Subjects
undated
8
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
9
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
10
George Romney, 1734–1802
Tempest, Version A
undated
11
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
14
George Romney, 1734–1802
Birth of Man
undated
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
39
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
40
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
41
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
42
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
43
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
44
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
45
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
46
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
47
George Romney, 1734–1802
The Banquet Scene
ca. 1792
48
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
49
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
50
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
51
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
52
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
53
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
54
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
55
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
56
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
57
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
58
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
59
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
60
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
61
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
62
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
63
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
64
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
65
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
66
unknown artist
Apparition: Banquo?
undated
67
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
68
unknown artist
Troilus and Cressida?
undated
69
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
70
unknown artist
A Midsummer Night's Dream: Three Figures
undated
71
unknown artist
Reclining Nude, Possibly Titania
undated
72
unknown artist
Study for the Damned
undated
73
unknown artist
Scene from the Inferno
undated
74
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
75
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
76
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
77
Robert Smirke, 1752–1845
Oberon and Puck
1825
78
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
79
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
80
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
81
Robert Smirke, 1752–1845
Claudio and Isabella
1823
82
Robert Smirke, 1752–1845
Viola and Olivia
1822
83
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
84
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
85
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
86
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
87
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
88
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
89
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
90
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
91
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
92
Robert Smirke, 1752–1845
Katherina and Grumio
1821
93
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
94
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
95
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
96
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
97
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck