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1. Two Gentlemen Going a Shooting

Two Gentlemen Going a Shooting
Creator:
George Stubbs, 1724–1806
Date:
1768
Materials & Techniques:
Oil on canvas
Dimensions:
39 15/16 x 50 1/16 inches (101.4 x 127.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view

2. Two Gentlemen Shooting

Two Gentlemen Shooting
Creator:
George Stubbs, 1724–1806
Date:
ca. 1769
Materials & Techniques:
Oil on canvas
Dimensions:
39 x 49 inches (99.1 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view

3. A Repose after Shooting

A Repose after Shooting
Creator:
George Stubbs, 1724–1806
Date:
1770
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/4 x 50 1/2 inches (102.2 x 128.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view

4. Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot

Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
Creator:
George Stubbs, 1724–1806
Date:
ca. 1767
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view

5. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
Creator:
Thomas Roberts, 1748–1778
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Sir Charles Warre Malet's String of Racehorses at Exercise

Sir Charles Warre Malet's String of Racehorses at Exercise
Creator:
Francis Sartorius, 1734–1804
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/2 × 29 3/4 inches (57.2 × 75.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Theophilus Levett and a Favorite Hunter

Theophilus Levett and a Favorite Hunter
Creator:
James Ward, 1769–1859
Date:
1817
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/4 x 51 1/4 inches (99.7 x 130.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Bifrons Park, Kent

Bifrons Park, Kent
Creator:
Perhaps Jan van der Vaardt, 1647–1721
Date:
between 1695 and 1705
Materials & Techniques:
Oil on canvas
Dimensions:
61 1/2 x 91 1/2 inches (156.2 x 232.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. The Death of the Hare

The Death of the Hare
Creator:
unknown artist
Date:
between 1760 and 1770
Materials & Techniques:
Oil on canvas
Dimensions:
60 x 99 inches (152.4 x 251.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Antique Letter Box Converted into a Humidor

Antique Letter Box Converted into a Humidor
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Oil on wood
Dimensions:
Overall: 5 1/2 x 12 1/4 x 9 inches (14 x 31.1 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Over the Bank, Exmoor

Over the Bank, Exmoor
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Huntsmen in a Wood

Huntsmen in a Wood
Creator:
Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
photomechanical proces
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Trout Stream

The Trout Stream
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. North-West Front, Cassiobury, with Hounds and Huntsmen

North-West Front, Cassiobury, with Hounds and Huntsmen
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Wakefield

Wakefield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Hastings Races

Hastings Races
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Graphite, black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 7/16 x 17 7/8in. (26.5 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Sportsman and His Dogs

Sportsman and His Dogs
Creator:
Patrick Nasmyth, 1787–1831
Date:
1828
Materials & Techniques:
Watercolor and gouache with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 16 1/2 inches (31.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
Creator:
unknown artist
Date:
ca. 1845
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 30 3/4 inches (31.8 x 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Archers Stalking a Stag

Archers Stalking a Stag
Creator:
John Martin, 1789–1854
Date:
1821
Materials & Techniques:
Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Landscape with Horseman

Landscape with Horseman
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 3/8 inches (13.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Square in the Village of Los Silos, Tenerife

Square in the Village of Los Silos, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1827
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. St. Catherine's Hill, near Guildford, Surrey

St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, (Completed Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Llangollen, North Wales

Llangollen, North Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Raby Castle, County of Durham

Raby Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Landscape with Sportsman and Guns

Landscape with Sportsman and Guns
Creator:
John Henry Müntz, 1727–1798
Date:
1779
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 × 11 15/16 inches (22.4 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. An Old Oak

An Old Oak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. River with Angler

River with Angler
Creator:
George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 17 5/16 inches (27.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Virginia Water No. 1

Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Virginia Water No. 1

Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Virginia Water No. 1

Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Virginia Water No. 11

Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Virginia Water No. 11

Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Winander-Mere, Westmoreland

Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Winander-Mere, Westmoreland

Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Winander-Mere, Westmoreland

Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Winander-Mere, Westmoreland

Winander-Mere, Westmoreland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Richmond Terrace, Surrey

Richmond Terrace, Surrey
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Stag Hunt

A Stag Hunt
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Huntsmen in a Wood

Huntsmen in a Wood
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Huntsmen in a Wood

Huntsmen in a Wood
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Virginia Water. No. I

Virginia Water. No. I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Virginia Water. No. II

Virginia Water. No. II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Falls of the Rhine

Falls of the Rhine
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1832
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 × 7 7/16 inches (11.6 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. On the Thames

On the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. On the Thames

On the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

76. Thames Fishermen, no. 2

Thames Fishermen, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1878
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

77. Diana, The Huntress

Diana, The Huntress
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. A-Hunting We Will Go

A-Hunting We Will Go
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, Cut impression
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Stable Boy Holding a Horse in a Landscape

Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Wild Duck Shooting

Wild Duck Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Hare Hunting

Hare Hunting
Creator:
Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Dosing a Racehorse

Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Sporting Parson: "He Trieth a Little 'High Church' Style"

The Sporting Parson: "He Trieth a Little 'High Church' Style"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. The Sporting Parson: "He Then Goes in For Baptism"

The Sporting Parson: "He Then Goes in For Baptism"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...

A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 13/16 inches (19.4 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. The Meet

The Meet
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Full Cry. 1821: Riders Taking a Wooden Fence

Full Cry. 1821: Riders Taking a Wooden Fence
Creator:
George Alken, 1794–active 1837
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Two Riders Exercising Horses at a Gallop

Two Riders Exercising Horses at a Gallop
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Wild Duck Shooting

Wild Duck Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. A Whipper-In and a Couple of Hounds Running Hard in Open Country

A Whipper-In and a Couple of Hounds Running Hard in Open Country
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Drawing Covert

Drawing Covert
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Gone Away

Gone Away
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Full Cry

Full Cry
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. The Death

The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection