Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
2
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
3
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
5
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
6
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
7
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
8
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
11
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
12
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
13
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
14
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
15
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
20
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
21
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
22
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
23
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
24
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
25
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
26
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
27
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
28
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
29
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
30
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
31
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
32
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
33
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
34
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
35
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
36
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
37
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
38
John Hoppner, 1758–1810
Young Child with Lap-Dog
undated
39
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
40
John Hayter, 1800–1895
Portrait of a Gentleman
1832
41
Charles Ginner, 1878–1952
The House without Windows
undated
42
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
43
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
44
unknown artist
Two Sleeping Dogs
undated
45
unknown artist
Woman with Square Hat
undated
46
James Ward, 1769–1859
Sleeping Pig
undated
47
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
48
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
49
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
50
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
51
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
52
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
53
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
54
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
55
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
56
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
57
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
58
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
59
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
60
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
61
Samuel De Wilde, 1748–1832
An Actress
1806
62
Robert Price, 1717–1761
A Bridge in a Landscape
undated
63
unknown artist
Head of a Young Woman Looking Left
undated
64
Paul Sandby, 1731–1809
Lady Maynard
ca. 1757
65
John Vanderbank, 1694–1739
Portrait of a Gentleman
1725
66
Edward Francis Burney, 1760–1848
Study for the Magus
undated
67
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
68
Edward Francis Burney, 1760–1848
St. Jerome Writing
undated
69
Edward Francis Burney, 1760–1848
Profile Study of Female Head
undated
70
Edward Francis Burney, 1760–1848
Deposition
undated
71
Isaac Weld, 1774–1856
The Wine Tasting
1819
72
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
73
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
74
Allan Ramsay, 1713–1784
Head of a Young Woman or Man
undated
75
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
76
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
77
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
78
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
79
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
80
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
81
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
82
unknown artist
Man in Egyptian Dress
undated
83
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
84
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
85
William Taverner, 1703–1772
Diana
undated
86
unknown artist
An Ornamental Pool and Fountain
ca. 1700
87
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
88
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
89
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
90
Samuel De Wilde, 1748–1832
An Actor
undated
91
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
92
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
93
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
94
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
95
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
96
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
97
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
98
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
99
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
100
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt