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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type watercolor
Remove constraint Work Type: watercolorImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- A Great Tree
- ca. 1796
2
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
3
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
4
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
5
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
9
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
10
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
11
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
14
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
15
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
16
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
17
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
21
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
22
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
23
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
24
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
25
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
26
- Mary Magdalen at the Sepulchre
- ca. 1805
27
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
28
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
29
- Devoted Wife
- undated
30
- Woman Bending over Basket
- undated
31
- Interior of a Gothic Church
- undated
32
- A Seated Peasant Woman Seen From Behind
- undated
33
- A Peasant Woman, Standing, Seen From Behind
- undated
34
- A Seated Peasant Woman
- before 1841
35
- The Vine Inn, Vine Yard, Aldersgate in the City of London
- undated
36
- An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
- undated
37
- Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
- undated
38
- A London Street Crier
- undated
39
- Miss Charlotte Sandby
- undated
40
- Beside the Lily-Pond
- 1869
41
- A Young Woman Looking Down
- undated
42
- Woodcutter and His Family
- undated
43
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
44
- The Cheesecake House, Hyde Park
- ca. 1795
45
- Riders Outside an Inn
- undated
46
- The Woman at the Well
- undated
47
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
48
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
49
- Faust and Margaret
- undated
50
- A Woman Seated and Holding an Image
- undated
51
- Leda and the Swan
- undated
52
- Prospero Summoning Ariel
- ca. 1800
53
- Peasants Resting
- 1795
54
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
55
- Elizabeth, Queen of Bohemia
- after 1596
56
- London Cries: A Muffin Man
- ca. 1759
57
- Portrait of a Lady
- ca. 1610
58
- London Cries: "Black Heart Cherries..."
- ca. 1759
59
- London Cries: "Do You Want any Spoons..."
- ca. 1759
60
- London Cries: Shoe Cleaner
- ca. 1759
61
- London Cries: Fun upon Fun
- 1759
62
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
63
- London Cries: A Lace Seller
- ca. 1759
64
- London Cries: Last Dying Speech and Confession
- ca. 1759
65
- The Spoiled Child, Scene III
- ca. 1802
66
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
67
- A Young Woman in a Blue Dress
- undated
68
- Shepherd, Shepherdess and Dog
- undated
69
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
70
- Scottish Peasant Women
- undated
71
- Bucks of the First Head
- ca. 1785
72
- The Toilet
- undated
73
- Dunkerswell Abbey, August 20, 1783
- 1783
74
- Studies of Tradesmen and Grooms
- undated
75
- Interior of a Gothic Church
- undated
76
- The Meat Market
- undated
77
- Adelaide
- between 1785 and 1786
78
- Incantation Scene
- undated
79
- A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat
- undated
80
- Illustration to Homer's Iliad
- 1723
81
- Design for a Ceiling Decoration
- 1723
82
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
83
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
84
- A Mother and Two Children
- 1786
85
- Solicitude: A Man Supporting a Fainting Woman
- undated
86
- A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
- undated
87
- La Mancha
- 1828
88
- The Rustic Lover
- 1786
89
- Extensive wooded landscape with figures in foreground left
- Undated
90
- Couple in a Farmyard
- 1782
91
- The Theatre-Goers
- undated
92
- Conway Castle
- 1789
93
- Hannah Snell - From the Life (in Male Dress)
- undated
94
- Scene from Quentin Durward
- 1833
95
- A Dancer
- ca. 1836
96
- The Fight Interrupted
- undated
97
- Woman and Child
- undated
98
- Wanstead House
- undated
99
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
100
- Portrait of a Woman with a Pitcher
- 1858