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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washMaterials & Techniques pen
Remove constraint Materials & Techniques: penCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- An Ancient Barn at Shoreham
- undated
2
- Landscape Sketch
- undated
3
- Dawn
- between 1831 and 1832
4
- Trees and Deer
- 1825
5
- Reggio, 26 July 1847
- 1847
6
- S. Pietro Degli Agostiniani. Leonessa
- 1844
7
- Manor (Knowsley Lane?)
- undated
8
- Memphis
- 1867
9
- Albania
- between 1848 and 1849
10
- The Pontine Marshes above Terracina
- ca. 1880
11
- Bavella, Corsica
- ca. 1868
12
- Turin, Italy
- after 1872
13
- On the Cimaronero River
- 1857
14
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
15
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
16
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
17
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
18
- The Smock Exposed
- 1817
19
- Hogarth Drawing Sarah Malcolm
- 1817
20
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
21
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
22
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
23
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
24
- Fulham Palace, Porter's Lodge
- undated
25
- The Villa Adrianna, Rome
- 1824
26
- Totnes from the Seymour Hotel
- 1838
27
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
28
- Margate Harbor
- ca. 1806
29
- Harbor
- undated
30
- Ram and Two Sheep
- undated
31
- Cheyne Walk, Old Chelsea
- 1861
32
- Mount Soratte from Civita Castellana
- 1816
33
- The Building of Waterloo Bridge
- ca. 1816
34
- Landscape with Trees and Church Spire
- undated
35
- Standing Woman
- undated
36
- Landscape with Bridge
- undated
37
- Nocturnal View of Mountainous Landscape with River
- undated
38
- Thatched Roof and Tree
- undated
39
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
40
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
41
- Maya Stela at Copan, Honduras
- 1843
42
- Well at Bolonchen, Yucatan
- 1843
43
- Shakespeare House, Aldersgate Street
- undated
44
- Prospero and Ariel
- 1821
45
- Falstaff Dragging the Body of Hotspur
- 1825
46
- Falstaff Instructing Bardolph
- 1825
47
- Anne Page and Slender
- 1821
48
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
49
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
50
- Hogarth Declaring His Love to Miss Thornhill
- 1817
51
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
52
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
53
- The Reconcilation
- 1817
54
- Hogarth Sitting to Roubiliac for His Bust
- 1817
55
- Preparatory drawing for The Waltz
- 1820s
56
- Margate Hoy
- 1807
57
- Lysander Awakening to See Helena
- 1825
58
- Workmen at Refreshment (Banditti?)
- 1819
59
- John Gilpin in the Uxbridge Passage Boat
- 1820s
60
- A Polar Bear, Asleep, Front View
- ca. 1856
61
- The Deer-Stalker, Oct. 15, 1852
- 1852
62
- A Camel Resting, Side View to the Right
- ca. 1856
63
- Two Riders Seen from Behind, Oct. 10, 1822
- 1822
64
- Figures in a Doorway
- undated
65
- Viola and Olivia
- 1822
66
- Falls of Tivoli, From the Lowest Cavern
- 1802-1804
67
- View on the River Liris at Isola di Sora
- 1791
68
- Ferdinand Reunited with his Father
- 1821
69
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
70
- Bust of Shakespeare
- 1825
71
- Claudio and Isabella
- 1823
72
- Feste, as Sir Topas, addressing Malvolio
- 1822
73
- Isabella and Mariana Kneeling Before the Duke
- 1822
74
- Lady Mortimer's Welsh Song
- 1825
75
- Master William Page and Sir Hugh Evans
- 1821
76
- Hotspur and the Plotters at Bangor
- 1825
77
- Ford in a Rage After Seeing Falstaff
- 1821
78
- Falstaff with Mistress Quickly and Bardolph
- 1825
79
- Oberon and Puck
- 1825
80
- Falstaff at Herne's Oak
- 1821
81
- The Death of Ophelia
- ca. 1810
82
- Launce with his Dog Crab
- ca. 1821
83
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
84
- Christopher Sly and the Page, as His Wife
- 1821
85
- Katherina and Grumio
- 1821
86
- Juliet About to Take her Sleeping Draught
- 1825
87
- Capulet Railing at his Daughter, Juliet
- 1825
88
- Plan of St. James's Market
- undated
89
- A Design for a Prison
- ca. 1830
90
- Sketch of an Ornate Doorway, With Columns, and Sculpture
- 1802-1804
91
- A Villa Near Potsdam
- 1802-1804
92
- One of the Entrances to Potsdam
- 1804
93
- Jungfern Bridge
- 1802-1804
94
- Sketch of a Public Building
- 1802-1804
95
- Sketch of an Entry Gate
- 1802-1804
96
- Study of a Stone Mausoleum
- 1802-1804
97
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
98
- Dunloh Castle, Killarney, Ireland
- ca. 1807
99
- Study of a Stone Wall
- 1802-1804
100
- Gate of Posillipo - Naples
- 1802-1804