Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
4
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
5
George Romney, 1734–1802
Daphnis and Chloe
undated
6
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
7
George Romney, 1734–1802
The Banquet Scene
ca. 1792
8
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
9
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
10
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
11
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
12
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
13
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
14
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
15
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
16
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
17
George Romney, 1734–1802
Tempest, Version A
undated
18
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
19
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
22
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
23
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
24
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
25
George Romney, 1734–1802
Unidentified Subjects
undated
26
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
27
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
39
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
42
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
43
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
44
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
45
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
46
George Romney, 1734–1802
Birth of Man
undated
47
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
48
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
49
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
51
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
54
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
55
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
56
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
57
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
58
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
59
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
60
Robert Smirke, 1752–1845
Anne Page and Slender
1821
61
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
62
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
63
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
64
Robert Smirke, 1752–1845
Prospero and Ariel
1821
65
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
66
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
67
George Augustus Sala, 1828–1895
Mefistofile II
1880
68
Print made by Prince Rupert, 1619–1682
The Little Executioner
ca. 1662
69
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
70
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
71
unknown artist
The Death of Cordelia
undated
72
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
73
Theodor von Holst, 1810–1844
Faust and Margaret
undated
74
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
75
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
76
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
77
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
78
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
79
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
80
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
81
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
82
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
83
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
84
Robert Smirke, 1752–1845
Claudio and Isabella
1823
85
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda