Materials & Techniques: 4 selected - YCBA Collections Search Search Results

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

Joseph Cartwright, c.1789–1829

Side View of Battleship Surrounded by Several Others in Heavy Seas

undated

Sir John Gilbert, 1817–1897

Wayfarers

undated

Sir Charles D'Oyly, 1781–1845

Totnes from the Seymour Hotel

1838

George Morland, 1763–1804

Peasants in a Grotto

undated

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

James Ward, 1769–1859

A Human Skeleton

undated

Edward Francis Burney, 1760–1848

Illustration for The New Doll: Sewing Clothes for the Doll

1825

Edward Francis Burney, 1760–1848

Ilustration for The New Doll: Untitled

1825

Edward Francis Burney, 1760–1848

Illustration for The New Doll: Untitled

1825

Edward Francis Burney, 1760–1848

Illustration for The New Doll: Untitled

1825

Isaac Weld, 1774–1856

An Execution, Rome

1819

Edward Francis Burney, 1760–1848

Heavenly Orchestra

undated

James Ward, 1769–1859

A Human Skeleton

undated

Edward Francis Burney, 1760–1848

Illustration for The New Doll: The Doll brought Home

1825

Henry Greaves, 1850–1900

Queen Anne's Court, Cheyne Walk, Chelsea

1874

Walter Greaves, 1846–1930

The Old Black Lion, Chelsea

undated

Walter Greaves, 1846–1930

Old Chelsea Church

undated

John Martin, 1789–1854

The Walls of Jericho

1834

unknown artist

West Cowes, Isle of Wight

undated

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817