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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washMaterials & Techniques graphite
Remove constraint Materials & Techniques: graphiteMaterials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- A Lake in Norway
- ca. 1825
2
- A Classical City
- undated
3
- Study of Waves
- undated
4
- Study of Old Buildings
- undated
5
- Landscape Sketch
- undated
6
- An Ancient Barn at Shoreham
- undated
7
- Boxhill
- 1868
8
- Study of a Pilgrim
- undated
9
- Rome from San Spirito
- undated
10
- A Country House
- ca. 1834
11
- S. Pietro Degli Agostiniani. Leonessa
- 1844
12
- Reggio, 26 July 1847
- 1847
13
- Memphis
- 1867
14
- Albania
- between 1848 and 1849
15
- The Pontine Marshes above Terracina
- ca. 1880
16
- Bavella, Corsica
- ca. 1868
17
- Turin, Italy
- after 1872
18
- A Design for a Prison
- ca. 1830
19
- Johnny and His Pony
- 1836
20
- Designs for Gothic Ornamentation
- undated
21
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
22
- Archers Stalking a Stag
- 1821
23
- On the Cimaronero River
- 1857
24
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
25
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
26
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
27
- Hogarth Sitting to Roubiliac for His Bust
- 1817
28
- Advanced Guard - Sunrise
- ca. 1832
29
- Miss Elizabeth Siddal
- between 1854 and 1855
30
- Scene from Quentin Durward
- 1833
31
- Harlech Castle
- ca. 1803
32
- Falstaff Instructing Bardolph
- 1825
33
- Wood Cutters
- undated
34
- Falstaff Dragging the Body of Hotspur
- 1825
35
- Queen Victoria
- undated
36
- Anne Page and Slender
- 1821
37
- Lysander Awakening to See Helena
- 1825
38
- The Life of a Nobleman: Scene the Second - The First Party
- undated
39
- The Life of a Nobleman: Scene the Third - The Night House
- undated
40
- The Life of a Nobleman: Scene the Fourth - The Betting Booth
- undated
41
- The Life of a Nobleman: Scene the Sixth - The Usurer
- undated
42
- The Life of a Nobleman: Scene the Eighth - The Duel
- undated
43
- Chat Moss
- undated
44
- The Moonlit Lake
- undated
45
- Sorrento
- ca. 1818
46
- After Pinnelli - Group of Peasants Outside a Church
- 1817
47
- Running Woman
- ca. 1818
48
- Railway Office, Liverpool
- ca. 1830
49
- Illustration for The New Doll: Untitled
- 1825
50
- Chatsworth House, Derbyshire
- between 1823 and 1830
51
- Stephano and Trinculo with Caliban
- 1821
52
- Bust of Shakespeare
- 1825
53
- Katherina and Grumio
- 1821
54
- Hotspur and the Plotters at Bangor
- 1825
55
- A Camel Resting, Side View to the Right
- ca. 1856
56
- A Male Lion, Lying Down and Half Facing Right
- ca. 1856
57
- A Polar Bear, Asleep, Front View
- ca. 1856
58
- Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
- undated
59
- Six Foxhounds Resting
- undated
60
- The Viaduct over the Sankey Canal
- ca. 1830
61
- Bridge over the Irwell and Entrance into Manchester
- ca. 1830
62
- Dunloh Castle, Killarney, Ireland
- ca. 1807
63
- Castello Malespina Appennines
- 1819
64
- Caernarvon (Castle) Eagle Tower
- ca. 1809
65
- Caernarvon Castle
- 1809
66
- Harlech Castle
- 1810
67
- Harlech Castle
- 1810
68
- Ruins (Roman?)
- 1818
69
- Classical Landscape with Temple
- ca. 1818
70
- Two Temple Ruins with Studies
- undated
71
- An Execution, Rome
- 1819
72
- Opening of the Liverpool and Manchester Railway
- ca. 1830
73
- View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
- ca. 1830
74
- Sorrento Gate
- 1818
75
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
76
- The Life of a Nobleman: Scene the Fifth - The Gambling House
- undated
77
- The Life of a Nobleman: Scene the Seventh - The Mess Room
- undated
78
- Trinity Church, Port of Spain
- 1851
79
- St. James Barracks
- 1851
80
- Bamboo Arches, St. Anns
- 1851
81
- The Cottage, Mount Tamana
- 1851
82
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
83
- Hogarth Declaring His Love to Miss Thornhill
- 1817
84
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
85
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
86
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
87
- Hogarth Drawing Sarah Malcolm
- 1817
88
- The Smock Exposed
- 1817
89
- The Reconcilation
- 1817
90
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
91
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
92
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
93
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
94
- Studies after Anthony van Dyck's Portrait of Arthur Goodwin
- 1825
95
- Terrace Before the Church of St. Bartholamew
- 1803
96
- Near Genoa - On the Riveira di Ponente
- 1803
97
- Near San Pietro d'Arena on the Road to Milan
- 1803
98
- The Site of Cicero's Villa in Tusculum
- 1802-1804
99
- Near Rome
- 1802-1804
100
- Tivoli
- 1802-1804