Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
3
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
5
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
6
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
7
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
9
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
12
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
14
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
15
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
16
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
18
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
20
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
22
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
23
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
24
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
25
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
26
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
27
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
28
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
29
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
30
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
31
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
32
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
33
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
34
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
35
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
36
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
37
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
38
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
39
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
42
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
43
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
44
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
45
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
46
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
47
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
48
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
49
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
50
John Raphael Smith, 1752–1812
Lady on a Terrace Tending a Carnation Plant
undated
51
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
52
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
53
unknown artist
Two Sleeping Dogs
undated
54
unknown artist
Woman with Square Hat
undated
55
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
56
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
57
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
58
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
59
Jonathan Richardson the Elder, 1667–1745
Portrait of Jonathan Richardson the Younger
1733
60
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1733
61
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
62
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
63
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
64
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
65
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
66
unknown artist
Head of an Eagle, Facing Left
undated
67
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
68
Edward Robert Hughes, 1851–1914
Portia
undated
69
Ford Madox Brown, 1821–1893
The Artist's Wife Emma, on her Wedding Day
1853
70
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
71
John Opie, 1761–1807
Standing Classical Female Figure
undated
72
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
73
unknown artist
Portrait of Mr. Pope
undated
74
Peter DeWint, 1784–1849
Head of a Girl: Probably a Study of Mrs. De Wint
undated
75
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
76
William Haydon Fuge, active ca. 1849–1866
Rev. Charles Forster
undated
77
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
78
Frederick Sandys, 1829–1904
Study of two girls, with a study of a hand to the right
undated
79
Alexander Runciman, 1736–1785
A Temple Perched on a Rocky Outcrop Seen Across a Lake
ca. 1767
80
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
81
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
82
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
83
James Ward, 1769–1859
Sleeping Pig
undated
84
John Vanderbank, 1694–1739
Portrait of a Gentleman
1725
85
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
86
Attributed to Gangaram Chintaman Tambat, active 1790s
West or Back View of Bhuleshwar Temple
undated
87
James Havard Thomas, 1854–1921
Shepherd Resting and Conversing
1897
88
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
89
Edward Francis Burney, 1760–1848
Study for the Magus
undated
90
Edward Francis Burney, 1760–1848
Study of Female Head
undated
91
Edward Francis Burney, 1760–1848
Profile Study of Female Head
undated
92
Edward Francis Burney, 1760–1848
St. Jerome Writing
undated
93
Edward Francis Burney, 1760–1848
Deposition
undated
94
Edward Francis Burney, 1760–1848
Roman Ruins
undated
95
Gangaram Chintaman Tambat, active 1790s
Side View of Bhuleshwar Temple
undated
96
Samuel De Wilde, 1748–1832
A Boy with a Basket
1808
97
William Taverner, 1703–1772
Diana
undated
98
Alfred Stevens, 1817–1875
Group of Figures, Child Begging in Center
undated
99
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire