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Materials & Techniques stipple engraving
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101
- The Three Witches
- 1786
102
- "Tempest", Act I, Scene I
- 1797
103
- Falstaff and his Friends
- ca. 1868
104
- David Garrick Esq
- 1807
105
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
106
- Tom Jones Assisting Molly Seagrim
- 1782
107
- Cymon and Iphigenia
- 1797
108
- Mrs. Jordan in the Character of the Romp
- 1788
109
- Sylvia
- 1786
110
- The Alto Relievo
- 1796
111
- The Fall of Agandecca
- 1783
112
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
113
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
114
- May
- 1793
115
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
116
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
117
- Alexander and Nerina
- 1784
118
- Sophia, Honour, and the Chambermaid
- 1780
119
- The Shepherdess of the Alps
- 1776
120
- The Dead Ass, Nampont
- 1799
121
- Lodona
- 1792
122
- The Hours
- 1788
123
- Selim of the Shepherd's Moral
- 1788
124
- Cecilia
- 1783
125
- Chryseis Restored To Her Father
- 1786
126
- Death of Dido
127
- Jupiter and Io
- 1784
128
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
129
- February
- 1793
130
- April
- 1790
131
- June
- 1789
132
- July
- 1789
133
- August
- 1793
134
- October
- 1793
135
- September
- 1793
136
- Palamon and Arcite
- 1790
137
- Joseph Andrews
- 1781
138
- Sappho Embracing Love
- 1783
139
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
140
- Miss Anna Brunton
- 1785
141
- Jane Shore
- 1790
142
- Tancred and Clorinda
- 1785
143
- Alcander and Nerina
- 1784
144
- Fonrose
- 1798
145
- The Death of Cora
- 1788
146
- Sophia and Olivia
- 1784
147
- Adelaide
- 1798
148
- Ticket: For The Benefit Of Mad' Banti
- 1795
149
- Ticket for the Benefit of Madame Banti
- 1797
150
- Ticket for the Benefit of Madame Banti
- 1797
151
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
152
- Reverend Hugh Blair, D.D
- 1801
153
- Queen Katherine's Dream - "Henry VIII"
- 1788
154
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
155
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
156
- Taming the Shrew, Act III, Scene II
- 1793
157
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
158
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
159
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
160
- George Colman, The Elder
- 1813
161
- Ralph Cudworth
- undated
162
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
163
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
164
- Thomas Percy, Bishop of Dromore
- undated
165
- Mrs. Robinson
- 1792
166
- Dr. Joseph Warton
- undated
167
- Joseph Baretti
- 1794
168
- Concert Ticket For The Benefit of Madame Banti
- 1795
169
- John Henderson as Iago
- 1786
170
- Mrs. Abington as Thalia
- 1783
171
- Ticket: Anacreontic Society Meeting
- 1773
172
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
173
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
174
- "This is fairy gold, boy, and will prove so"
- 1804
175
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
176
- Fonrose
- 1798
177
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
178
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
179
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
180
- Adelaide
- 1798
181
- Mrs. W. West as Cordelia
- 1820
182
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
183
- Twelfth Night, Act V, Scene I: The Street
- 1803
184
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
185
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
186
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
187
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
188
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
189
- Jane Shore
- 1790
190
- How a Great Daily Organ is Turned Out
- 1990
191
- In Horne's House
- 1982
192
- William Cavendish of Newcastle
- 1739
193
- William Cavendish, Duke of Newcastle
- 1836
194
- William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
- 1713
195
- Sir Kenelm Digby
- 1748
196
- William Cavendish, first Duke of Newcastle-upon-Tyne
- undated
197
- William Cavendish, Duke of Newcastle
- 1739
198
- Edmond Malone, Esqr
- 1787
199
- Edmond Malone, Esqr
- undated
200
- The Triumph of Mercy
- 179