Single Frigate, Stern Forward; Albion 20 April 1817
1817
9
Robert Bremmel Schnebbelie, active 1803–1849
Aldgate
1817
10
Alexander Monro, 1802–1844
Porchester Castle
undated
11
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
12
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
13
Samuel Howitt, 1756–1822
Polecat
ca. 1817
14
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
15
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
16
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
17
John Linnell, 1792–1882
Tythrop
1817
18
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
19
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
20
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
21
Alexander Monro, 1802–1844
Knaresborough
undated
22
Print made by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1817
23
Print made by W. R. Smith, active 1819–1851
Rosslyn Castle
ca. 1822
24
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
25
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
26
Richard Parkes Bonington, 1802–1828
A Seascape
undated
27
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
28
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
29
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
30
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
31
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
32
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
33
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
34
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
35
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
36
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
37
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
38
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
39
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
40
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
41
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
42
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
43
Thomas Shotter Boys, 1803–1874
A Christening
undated
44
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
45
John Thomas Smith, 1766–1833
The Smock Exposed
1817
46
John Thomas Smith, 1766–1833
The Reconcilation
1817
47
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
48
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
49
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
50
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
51
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
52
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
53
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
54
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
55
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
56
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
57
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
58
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
59
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
60
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
61
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
62
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
63
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
64
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
65
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
66
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
67
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
68
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
69
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
70
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
71
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
72
Print made by William Thomas Fry, 1789–1843
Martin Archer Shee, Esq., R. A
1817
73
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
74
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
75
Sir Edwin Henry Landseer, 1802–1873
Sir Massey Storey Cooking the Turtle
undated
76
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
77
John Buckler FSA, 1770–1851
Samlesbury hall; Lancashire
1817
78
John Buckler FSA, 1770–1851
South West View of Burleigh House
1817
79
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
80
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
81
Thomas Rowlandson, 1756–1827
The Family Picture
1817
82
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
83
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
84
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
85
Attributed to Sir Edwin Henry Landseer, 1802–1873
Sheep Dog Sleeping
undated
86
Print made by Richard Earlom, 1743–1822
Landscape with Ruins
1817
87
Print made by Richard Earlom, 1743–1822
A Landscape
1817
88
Print made by Richard Earlom, 1743–1822
A Study
1817
89
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
90
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
91
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
92
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
93
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
94
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire
1817
95
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
96
John Buckler FSA, 1770–1851
North West View of Harlaxton Manor House, Lincolnshire
1817
97
John Buckler FSA, 1770–1851
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
98
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
99
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
100
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham