Creator Gender: male / Author ss: after Joseph Mallord William Turner, 1775–1851, British

101. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 3/4 inches (26.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 12 1/4 inches (27 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Harborough Sands

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Etching and line engraving; first state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 11/16 × 9 9/16 inches (34.8 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 11/16 inches (25.6 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Falls of the Rhine

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1832
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 6 7/16 × 8 13/16 inches (16.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Fonthill House, Wiltshire

Creator:: Print made by William Angus, 1752–1821
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Fonthill House in Wiltshire, the Seat of William Beckford Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1800
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 7 3/4 inches (15.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Richmondshire Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Crook of the Lune, Looking Towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 12 5/8 inches (23 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

120. Venice, the Bridge of Sighs

Creator:: James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Dutch Boats in a Gale

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Approach to Venice

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836-1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Confluence of the Seine and Marne

Creator:: James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Troyes

Creator:: James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Approach to Venice

Creator:: James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

135. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

136. Jumièges

Creator:: James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, Engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Sun Rising in a Mist

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Rocks in Unrest.

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1860
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. The Temptation on the Pinnacle

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The Temptation on the Pinnacle (Vignette)

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Damon and Pythias

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Temptation on the Pinnacle

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Festival of the Vintage

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. South View of Christ Church, etc. from the Meadows

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. View of Exeter College, All Saints Church, from the Turl

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1806
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. View of the Cathedral of Christ Church and Part of Corpus Christi College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1811
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. View of the Cathedral of Christ Church and Part of Corpus Christi College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Cloisters of Whalley Abbey

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Ancient Crosses at Whalley

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Seals of Whalley Abbey

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Townley Hall

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/8 inches (28.6 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. South View of Christ Church, etc., From the Meadows...

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving , engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Distant View of Whalley Abbey

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Scale:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Whalley Abbey (nearer view)

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Clitheros from Eadsford Bridge

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 12 3/8 inches (24.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Stonyhurst

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Browsholme

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. The Sherburne Chapel in Mitton Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, published state (late impression) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Interior of Hall of Christ Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Inside View of the East End of Merton College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. View of Exeter College, All Saints Church, etc. from the Turl

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 × 17 3/4 inches (33.3 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. South View of Christ Church, etc., From the Meadows...

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Rievaulx Abbey - from LIII - 'The Gallery of Modern British Artists' 1834-1836

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Mouth of the Humber

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache with graphite and scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/8 × 10 inches (15.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Grand Canal Sunset

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream wove paper, mounted on thick, slightly textured, beige board
Dimensions:: Mount: 9 x 12 inches (22.8 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

179. Folkestone

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/2 × 12 3/8 inches (24.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

180. Regulus leaving Carthage

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. View of Orvieto

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Parting of Hero and Leander

Creator:: Samuel Bradshaw, 1830–1869
Date:: ca. 1861
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. A Fire at Sea

Creator:: Samuel Bradshaw, 1830–1869
Date:: ca. 1861
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Apollo and Daphne in the Vale of Tempe

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Venice from the Canal of the Giudecca

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Coast Scene with Fishermen Hauling a Boat Ashore

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: undated
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Coast Scene with Fishermen Hauling a Boat Ashore

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: undated
Materials & Techniques:: Line engraving, trial proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; completed engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 17 1/4 inches (31.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Gasport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper mounted on ledger page
Dimensions:: Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and engraving, touched with graphite (Engraver's Proof)
Dimensions:: Plate: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engraving, (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Author ss after Joseph Mallord William Turner, 1775–1851, British

Search Results

101. Dunbar

102. Ivy Bridge, Devonshire

103. Ivy Bridge, Devonshire

104. Harborough Sands

105. Dunwich

106. Falls of the Rhine

107. Fonthill House, Wiltshire

108. Fonthill House in Wiltshire, the Seat of William Beckford Esqr.

109. Crook of the Lune, Looking towards Hornby Castle

110. Richmond Castle and Town

111. Richmond Castle and Town

112. Richmondshire Castle and Town

113. Richmond Castle and Town

114. Crook of the Lune, Looking Towards Hornby Castle

115. Jumièges

116. "It's Auld Ailie Hersell"

117. Confluence of the Seine and Marne

118. Troyes

119. Troyes

120. Venice, the Bridge of Sighs

121. Dutch Boats in a Gale

122. Approach to Venice

123. "It's Auld Ailie Hersell"

124. Confluence of the Seine and Marne

125. Troyes

126. Approach to Venice

127. Confluence of the Seine and Marne

128. Confluence of the Seine and Marne

129. Troyes

130. Troyes

131. "It's Auld Ailie Hersell"

132. Jumièges

133. Jumièges

134. Jumièges

135. Confluence of the Seine and Marne

136. Jumièges

137. The Sun Rising in a Mist

138. Rocks in Unrest.

139. The Temptation on the Pinnacle

140. The Temptation on the Pinnacle (Vignette)

141. Damon and Pythias

142. The Temptation on the Pinnacle

143. The Festival of the Vintage

144. The Wreck of the Minotaur

145. South View of Christ Church, etc. from the Meadows

146. A View of Worcester College &c.

147. View of Exeter College, All Saints Church, from the Turl

148. View of Oxford from the South Side of Heddington Hill

149. View of Oxford from the South Side of Heddington Hill

150. View of the Cathedral of Christ Church and Part of Corpus Christi College

151. View of the Cathedral of Christ Church and Part of Corpus Christi College

152. Cloisters of Whalley Abbey

153. Ancient Crosses at Whalley

154. Seals of Whalley Abbey

155. Townley Hall

156. South View of Christ Church, etc., From the Meadows...

157. A View of the Chapel and Hall of Oriel College

158. Inside View of the East End of Merton College Chapel

159. Distant View of Whalley Abbey

160. Whalley Abbey (nearer view)

161. Clitheros from Eadsford Bridge

162. Stonyhurst

163. Browsholme

164. The Sherburne Chapel in Mitton Church

165. A View of Worcester College &c.

166. A View of the Chapel and Hall of Oriel College

167. Interior of Hall of Christ Church

168. Inside View of the East End of Merton College

169. View of Exeter College, All Saints Church, etc. from the Turl

170. A View of Worcester College &c.

171. South View of Christ Church, etc., From the Meadows...

172. Rievaulx Abbey

173. Rievaulx Abbey

174. Rievaulx Abbey