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1
- Apuleia in Search of Apuleius
- between 1813 and 1823
2
- Tenth Plague of Egypt
- 1816
3
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
4
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
5
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
6
- Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
- 1789
7
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
8
- The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
- 1794
9
- Air; Plate 6
- 1793
10
- Water; Plate 4
- 1793
11
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
12
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
13
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
14
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
15
- Jerusalem, Plate 51
- 1804 to 1820
16
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
17
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
20
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
21
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
22
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
23
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
24
- Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
- 1797
25
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
26
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
27
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
28
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
29
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
33
- Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
- 1789
34
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
35
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
36
- The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
- 1794
37
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
38
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
39
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
40
- Songs of Innocence and of Experience
- 1789-1794
41
- Spring, from Songs of Innocence
- ca. 1795
42
- Study for a Destroying Deity
- 1820 to 1825
43
- Egyptian Men
- 1867
44
- Egyptian Man
- 1867
45
- Achilles Wounded
- undated
46
- Lear Awakened by Cordelia
- between 1774 and 1775
47
- Lear Awakened by Cordelia
- ca. 1774
48
- Fisherman and Dog Sitting by the Coast
- 1803
49
- Man Seated on a Bank
- undated
50
- The Picnic
- undated
51
- A Wooded Track
- 1813
52
- Classical Landscape
- undated
53
- Avenue and Entrance to St. James Barracks
- 1857
54
- Man Sitting
- 1811
55
- Study of a Seated Lady
- ca. 1740
56
- Queen Katherine's Dream
- 1807
57
- Edgware Road, London
- 1806
58
- Figures on a Bank, Kensington Gravel Pits
- 1812
59
- Widecombe Village
- undated
60
- Two Peasants by a Window
- undated
61
- Aldenham Church
- ca. 1817
62
- Millbank
- 1806
63
- The Woman at the Well
- undated
64
- Falstaff Inspecting the Recruits
- between 1761 and 1765
65
- View of Bath from Spring Gardens
- 1790
66
- Windsor Castle from the Eton Playing Fields
- undated
67
- Messrs. Carfax
- undated
68
- A Fallen Oak
- ca. 1815
69
- Sophy Steadman Reading
- ca. 1830
70
- Henry Sass
- between 1830 and 1835
71
- The Welsh Curate
- undated
72
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
73
- Unidentified Sitter
- undated
74
- Portrait of a Young Man with a Slate
- ca. 1835
75
- A Young Scholar Goes Fishing
- ca. 1820
76
- Mrs. William Wilberforce and Child
- 1824
77
- Study of a Young Girl, Seated
- undated
78
- Dante in Meditation Holding a Pomegranate
- ca. 1852
79
- Study for a Portrait of a Seated Gentleman
- undated
80
- Portrait of a Girl Sketching
- undated
81
- Landscape with Sheep
- undated
82
- Classical Landscape with Travellers, a Dog and House on the left
- 1741
83
- Bickshoo Moonee
- undated
84
- Mahometan Devotee
- undated
85
- Sketch of Mahaji Sindia in his Tent
- undated
86
- Devotee in a Green Turban
- ca. 1790
87
- Man with a Blue Cloth over his Legs
- undated
88
- Le Ete - Der Sommer
- undated
89
- Medicus Alchemista
- undated
90
- Bookplate: The Spalding Gentlemen's Society
- 1746
91
- Bookplate: The Spalding Gentlemen's Society
- 1746
92
- Death's Door
- 1808, published 1813
93
- La ratisseuse
- undated
94
- La bonheur du Mariage
- undated
95
- The Satyrs
- 1937
96
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
97
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
98
- Hotspur and the Plotters at Bangor
- 1825
99
- Unidentified Periodical / Play Illustration
- undated
100
- Vue Generale de l'Eglise de l'Abbaye de Tournus
- 1825