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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type watercolor

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Height [cm] 23

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1. Sky Study with Rainbow

Sky Study with Rainbow
Creator:
John Constable, 1776–1837
Date:
1827
Materials & Techniques:
Watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Bridge near Salisbury Court, Perhaps Milford Bridge

A Bridge near Salisbury Court, Perhaps Milford Bridge
Creator:
John Constable, 1776–1837
Date:
ca. 1829
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Salisbury Plain from Old Sarum

Salisbury Plain from Old Sarum
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 1/8 inches (23.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ Church Gate, Canterbury

Christ Church Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1793 to 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. On the Mosell, Near Traben Trarbach

On the Mosell, Near Traben Trarbach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1841
Materials & Techniques:
Watercolor, graphite and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Angler

The Angler
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Tell's Chapel, Lake Lucerne

Tell's Chapel, Lake Lucerne
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1841
Materials & Techniques:
Watercolor, gouache and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 11 1/4 inches (22.5 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Paddle-steamer in a Storm

A Paddle-steamer in a Storm
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1841
Materials & Techniques:
Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Lost to All Hope the Brig

Lost to All Hope the Brig
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1845 and 1850
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 48, "These were his last words...."

Jerusalem, Plate 48, "These were his last words...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 10, "Into the Furnaces...."

Jerusalem, Plate 10, "Into the Furnaces...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 52, "To the Deists...."

Jerusalem, Plate 52, "To the Deists...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Jerusalem, Plate 72, "And the Thirty-two Counties...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. America. A Prophecy, Plate 6, "Appear to the Americans...."

America. A Prophecy, Plate 6, "Appear to the Americans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Europe. A Prophecy, Plate 1, Frontispiece

Europe. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Mount Palatine

Mount Palatine
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1783
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:
Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. A London Street Crier

A London Street Crier
Creator:
James Gillray, 1756–1815
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. A Street at Night with Figures at a Stall

A Street at Night with Figures at a Stall
Creator:
Attributed to James Holland, 1799–1870
Date:
1849
Materials & Techniques:
Watercolor and pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Lyons from Quayside on the Rhone

Lyons from Quayside on the Rhone
Creator:
James Duffield Harding, 1798–1863
Date:
ca. 1824
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Canada Lynx from the Life

The Canada Lynx from the Life
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, pen and brown ink, watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. North American Lynx

North American Lynx
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Black-backed Jackal

Black-backed Jackal
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Landscape with Ledbury Church Spire

Landscape with Ledbury Church Spire
Creator:
John James Barralet, 1747–1815
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 13 7/8 inches (22.9 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Delft

Delft
Creator:
James Holland, 1799–1870
Date:
1845
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Two Little Girls

Two Little Girls
Creator:
John Glover, 1767–1849
Date:
ca. 1810
Materials & Techniques:
Gray wash with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 6 1/2 inches (22.9 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Landing Place at Pallanza

Landing Place at Pallanza
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Edge of a Pool with Waterlilies

The Edge of a Pool with Waterlilies
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Admiral House, Simon's Town, Cape of Good Hope

The Admiral House, Simon's Town, Cape of Good Hope
Creator:
Lt. Humphrey John Julian, active 1842–1849
Date:
1844
Materials & Techniques:
Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Sir William Norris Bungalow, Penang

Sir William Norris Bungalow, Penang
Creator:
Lt. Humphrey John Julian, active 1842–1849
Date:
1844
Materials & Techniques:
Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 14in. (23 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Ambulatory, Westminster Abbey

Ambulatory, Westminster Abbey
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Design for London Bridge Approach

Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 7/8 x 14 7/8 inches (22.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Denton Court

Denton Court
Creator:
Rev. Cooper Williams
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 14 inches (23.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Fort Snelling

Fort Snelling
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1853
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 14 7/8 inches (23.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Plymouth Roads

Plymouth Roads
Creator:
John Thomas Serres, 1759–1825
Date:
undated
Materials & Techniques:
Watercolor, pen with black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 7/8 × 25 inches (22.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Young Girl Standing Barefoot

Young Girl Standing Barefoot
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 4 1/2 inches (22.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Design for Silverton Park, Devon

Design for Silverton Park, Devon
Creator:
studio of James Knowles, c. 1806–1884
Date:
between 1839 and 1845
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Design for an Urn

Design for an Urn
Creator:
Joseph Wilton, 1722–1803
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 9 × 16 3/4 inches (22.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. A Young Country Couple

A Young Country Couple
Creator:
Moses Haughton Jr., 1772–1848
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 7 inches (23.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
Creator:
Sir George Hayter, 1792–1871
Date:
1835
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. A Picnic on Richmond Hill

A Picnic on Richmond Hill
Creator:
Joseph Murray Ince, 1806–1859
Date:
undated
Materials & Techniques:
Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Horses and Wagon Outside a Cottage

Horses and Wagon Outside a Cottage
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Study of a Vampire Bat

Study of a Vampire Bat
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. St. Paul's Cathedral and Blackfriar's Bridge

St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Back from the Wars

Back from the Wars
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Gray ink and gray wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 7 7/8 inches (23.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. The Quadrangle, All Soul's, Oxford

The Quadrangle, All Soul's, Oxford
Creator:
George Pyne, 1800–1884
Date:
1849
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Pale Melancholy

Pale Melancholy
Creator:
Paul Sandby Munn, 1773–1845
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. View of the Waterhouse and Old St. Paul's, London

View of the Waterhouse and Old St. Paul's, London
Creator:
Thomas Wyck, 1616–1677
Date:
ca. 1663
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. The Chapel of the Greyfriars Monastery, Winchester

The Chapel of the Greyfriars Monastery, Winchester
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Almshouses in St. Cuthbert's Churchyard, Wells

Almshouses in St. Cuthbert's Churchyard, Wells
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and gray and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 11 inches (22.5 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Extensive View of Windsor Castle

Extensive View of Windsor Castle
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and gray ink, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 28 1/8 inches (22.5 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Homage to Nelson

Homage to Nelson
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Staithes, Yorkshire

Staithes, Yorkshire
Creator:
Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Swakeley House, Middlesex

Swakeley House, Middlesex
Creator:
Charles Tomkins, 1757–1823
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Horse Guard's Parade, Whitehall

The Horse Guard's Parade, Whitehall
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Tower of London

The Tower of London
Creator:
Thomas Hearne, 1744–1817
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 3/4 inches (22.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. A View of the Fens

A View of the Fens
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Sandham, Isle of Wight

Sandham, Isle of Wight
Creator:
William P. Sherlock, c.1780–1850
Date:
undated
Materials & Techniques:
Pen and ink, watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 11 5/8in. (22.5 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection