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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryImage Available Available
Remove constraint Image Available: AvailableWork Type drawing
Remove constraint Work Type: drawingSearch Results
1
- A Prancing Horse, Facing Right
- ca. 1790
2
- Study for the Self-portrait in Enamel
- ca. 1781
3
- A Foxhound on the Scent
- 1788
4
- Grotesque Male Head
- undated
5
- Grotesque Female Head
- undated
6
- Grotesque Female Head
- undated
7
- Grotesque Female Head
- undated
8
- Grotesque Male Head
- undated
9
- Grotesque Male Head
- undated
10
- Grotesque Female Head
- undated
11
- Grotesque Male Head
- undated
12
- Grotesque Male Head
- undated
13
- Grotesque Male Head
- undated
14
- Grotesque Male Head
- undated
15
- Grotesque Female Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- The First Stage of Cruelty
- ca. 1750
19
- Grotesque Male Head
- undated
20
- Gabriel Hunt
- undated
21
- Hymen
- ca. 1748
22
- Benjamin Read
- ca. 1757
23
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
24
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
25
- Study for the Foundlings
- ca. 1739
26
- Study of a Female Nude
- undated
27
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
28
- Christ Church Gate, Canterbury
- 1793 to 1794
29
- Man with Horse and Cart Entering a Quarry
- ca. 1797
30
- Newark - upon - Trent
- ca. 1796
31
- North East View of Grantham Church, Lincolnshire
- ca. 1797
32
- The Angler
- 1794
33
- A Great Tree
- ca. 1796
34
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
35
- A Three Storied Georgian House in a Park
- ca. 1795
36
- In the Valley Near Vietri
- ca. 1794
37
- From the Isola Borromena, Lago Maggiore
- ca. 1795
38
- Landscape with Waterfall
- ca. 1796
39
- Villa d'Este
- ca. 1796
40
- Villa Salviati on the Arno
- between 1796 and 1797
41
- Santa Lucia, A Convent near Caserta
- ca. 1795
42
- Near Grindelwald
- ca. 1796
43
- Autumn Sowing of the Grain
- ca. 1794
44
- The Hurries, Coal Boats Loading, North Shields
- ca. 1795
45
- View of Ely Cathedral
- ca. 1796
46
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
47
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
48
- Fisherman's Cottage, Dover
- ca. 1790s
49
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
50
- Saint Augustine's Gate, Canterbury
- ca. 1793
51
- Interior of St. John's Palace, Eltham
- ca. 1793
52
- Sir William Hamilton's Villa
- ca. 1795
53
- Landscape with Trees and Figures
- ca. 1796
54
- Dent de Lion, Margate
- ca. 1791
55
- Profile of a Grotesque Head Facing Right
- undated
56
- Seated Woman Feeding an Animal
- undated
57
- A Pensive Lady
- undated
58
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
59
- Study of a Clouded Moonlit Sky
- undated
60
- The Bath of Bath-sheba
- undated
61
- A Seated Woman
- undated
62
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
63
- Study of the Head of a Young Man
- undated
64
- Achilles Wounded
- undated
65
- Study of a Lady Standing
- undated
66
- Learning to Walk
- undated
67
- The Wave
- undated
68
- Studies of a Seated Woman
- undated
69
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
70
- Mythological Group of Women and Children
- undated
71
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
72
- Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
- 1789
73
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
74
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
75
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
76
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
77
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
78
- Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
- 1794
79
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
80
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
81
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
82
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
83
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
84
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
85
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
86
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
87
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
88
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
89
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
90
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
91
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
92
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
93
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
94
- America. A Prophecy, Plate 2, Title Page
- 1793
95
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
96
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
97
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
98
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
99
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
100
- The Book of Thel, Plate 2, Title Page
- 1789