Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: architectural subject / Subject Terms: bushes

William Blake, 1757–1827

The Entrance Front of Hayley's House at Eartham

1801

James Malton, 1761–1803

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

1802

Thomas Hearne, 1744–1817

Cottage

undated

Thomas Hearne, 1744–1817

Brackenborough Church, Wiltshire

undated

John Nixon, ca. 1760–1818

Binstead Parsonage, Isle of Wight

undated

Cornelius Varley, 1781–1873

Hartwell, Buckinghamshire

1833

Thomas Hearne, 1744–1817

The Lecture House, Watford

1807

John Inigo Richards, 1730/31?–1810

Windsor Castle

undated

Robert Dixon, 1780–1815

Remains of the Priory, Beeston Regis

1810

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Walter Greaves, 1846–1930

Cremorne Gardens: Chelsea Bandstand

1871

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

Samuel Prout, 1783–1852

The Thatched Cottage

undated

Cornelius Varley, 1781–1873

Farm Buildings with Stack Makers

ca. 1810

Print made by John Robert Cozens, 1752–1797

Bath: The New Bridge

1773

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Porte a Stirling

1826

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Cornelius Varley, 1781–1873

A Moated House

undated

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

George Sidney Shepherd, 1784–1862

Finsbury Square

1814