Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
2
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
3
Johan Joseph Zoffany, 1733–1810
David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
ca. 1762
Not on view
4
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
5
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
6
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
7
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
8
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
9
Marcellus Laroon the Younger, 1679–1772
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
10
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
11
Print made by Samuel Palmer, 1805–1881
The Vine
1852
12
Print made by Samuel Palmer, 1805–1881
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881
The Vine
1852
14
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
15
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
16
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
17
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
18
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
19
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
20
Print made by John Horsburgh, 1791–1869
Shakespeare's Monument at the Church at Stratford upon Avon
1834
21
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
22
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
23
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
24
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
25
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Sayings
1828
26
John Phillips, active 1840–1852
One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
1828
27
John Phillips, active 1840–1852
One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
28
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
29
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
30
James Barry, 1741–1806
King Lear
1776
31
Robert Smirke, 1752–1845
Malvolio Dancing
1827
32
Daniel Lysons, 1762–1834
Memorial to David Garrick from Hampton Church
between 1796 and 1811
33
unknown artist
Shakespeare's Cliff, Dover
between 1826 and 1866
34
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
35
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
36
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
37
Thomas Grieve, 1799–1882
Design for A Winter's Tale
undated
38
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
39
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
40
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
41
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
42
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
43
Robert Smirke, 1752–1845
Anne Page and Slender
1821
44
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
45
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
46
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
47
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
48
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
49
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
50
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
51
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
52
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
53
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
54
Robert Smirke, 1752–1845
Prospero and Ariel
1821
55
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
56
Hugh William "Grecian" Williams, 1773–1829
Birnam Wood
before 1801
57
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
undated
58
Robert Smirke, 1752–1845
Untitled: Baba Abdallah Punished
59
Robert Smirke, 1752–1845
Untitled: Old Man of the Sea
60
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
61
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
62
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
63
Print made by George Graham, active 1786–1813
Lady Christiana Collier (née Gwyn)
between 1760 and 1770
64
Richard Purcell, active 1746–1766
Garrick Between Tragedy and Comedy (David Garrick)
undated
65
John Finlayson, 1730–1776
Mr. Garrick in the Character of Kitely
1769
66
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
67
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
68
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
69
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
70
Robert Smirke, 1752–1845
Untitled: Cupid
71
Robert Smirke, 1752–1845
Battle Scene
undated
72
Robert Smirke, 1752–1845
Untitled: Prince Amgrad & Prince Affad
1802
73
Robert Smirke, 1752–1845
Untitled: Alnaschar's Vision
74
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
75
Robert Smirke, 1752–1845
Untitled: The Lady of the Glass-case
76
Robert Smirke, 1752–1845
Untitled: Skirmish for a Lady
77
Robert Smirke, 1752–1845
Tempest
1821
78
Robert Smirke, 1752–1845
Merry Wives of Windsor
1821
79
Robert Smirke, 1752–1845
Taming of the Shrew
1821
80
Robert Smirke, 1752–1845
Taming of the Shrew
1827
81
Robert Smirke, 1752–1845
Hesper Appearing to Columbus in Prison
82
Robert Smirke, 1752–1845
Tempest
1822
83
Robert Smirke, 1752–1845
The Final Resignation of Prejudices
84
Robert Smirke, 1752–1845
Untitled: Cesar Passing the Rubicon
85
Robert Smirke, 1752–1845
Untitled: Two Classical Domestic Scenes
86
Robert Smirke, 1752–1845
Study of an Interior Scene, with Roman Soldiers
undated
87
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
88
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
89
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
90
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
91
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
92
Robert Smirke, 1752–1845
Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus
undated
93
Robert Smirke, 1752–1845
Allegorical Sketch of Victory
undated
94
Robert Smirke, 1752–1845
Allegorical Scene
undated
95
Robert Smirke, 1752–1845
Allegorical Scene
undated
96
Robert Smirke, 1752–1845
Allegorical Designs for Medals
undated
97
Robert Smirke, 1752–1845
Sketch of a Dog
undated
98
Robert Smirke, 1752–1845
Scene from Shakespeare's, Romeo and Juliet
undated
99
Robert Smirke, 1752–1845
Figure Studies of a Group of People in a Wooded Clearing