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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Grace Before Meat

Grace Before Meat
Creator:
Sir David Wilkie, 1785–1841
Date:
1839
Materials & Techniques:
Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Spoiled Child, Scene I

The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Spoiled Child, Scene II

The Spoiled Child, Scene II
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Spoiled Child, Scene III

The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Spoiled Child, Scene IV

The Spoiled Child, Scene IV
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Spoiled Child, Scene VI

The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Spoiled Child, Scene V

The Spoiled Child, Scene V
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Interior of the Church of San Giovanni e Paolo, Venice

Interior of the Church of San Giovanni e Paolo, Venice
Creator:
James Holland, 1799–1870
Date:
1835ated
Materials & Techniques:
Watercolor, white gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study for "Reading the Will"

Study for "Reading the Will"
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Materials & Techniques:
Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Hazard Room at Crockford's

The Hazard Room at Crockford's
Creator:
T. J. Rawlins, active 1837–1840
Date:
1837
Materials & Techniques:
Watercolor, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 1/4 inches (12.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Interior of a Stable

Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Undergraduate's Room

The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Sir Violet Sighaway & Mr. Villiers

Sir Violet Sighaway & Mr. Villiers
Creator:
J. Findlay, active 1825–1857
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:
Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Peter Callam & Elvira

Peter Callam & Elvira
Creator:
J. Findlay, active 1825–1857
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:
Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Modern Diversion

A Modern Diversion
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Harmonious Family

The Harmonious Family
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Interior of Pitlessie Mill with a Man Sieving Corn

The Interior of Pitlessie Mill with a Man Sieving Corn
Creator:
Sir David Wilkie, 1785–1841
Date:
1818
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Winter Room in the Artist's House at Patna

The Winter Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Poulterer's Shop

Poulterer's Shop
Creator:
William Henry Pyne, 1769–1843
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/16 × 4 5/16 inches (11 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Eleventh Hour

The Eleventh Hour
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Kitchen Scene: Dunkerrin, September 1835

Kitchen Scene: Dunkerrin, September 1835
Creator:
Sir David Wilkie, 1785–1841
Date:
1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. At Mrs. Bulley's, Hooe, near Plymouth

At Mrs. Bulley's, Hooe, near Plymouth
Creator:
Henry Perlee Parker, 1795–1873
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Seated Woman

Seated Woman
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, black chalk, and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 9 3/4in. (34.8 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Woman Dressing

Woman Dressing
Creator:
Gwen John, 1876–1939
Date:
ca. 1907
Materials & Techniques:
Gray wash and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 7/8 × 9 1/8 inches (27.6 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Legal Wrangle

A Legal Wrangle
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 12 3/16 inches (16.2 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Preacher

The Preacher
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800 to 1810
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Reflections, or the Music Lesson

Reflections, or the Music Lesson
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Gaming Table

The Gaming Table
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Quakers' Meeting

Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Dr Graham's Bathing Establishment

Dr Graham's Bathing Establishment
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Dr Syntax & Dairymaid

Dr Syntax & Dairymaid
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bookseller and Author

Bookseller and Author
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Cottager's Hospitality to Travellers of The Coach Broke Down

Cottager's Hospitality to Travellers of The Coach Broke Down
Creator:
James Pollard, 1792–1867
Date:
1819
Materials & Techniques:
Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Register Office for the Hiring of Servants

Register Office for the Hiring of Servants
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Scene in a Monastery

Scene in a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Comforts of Bath: The Ball

Comforts of Bath: The Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Maiden Aunt Smelling Fire

A Maiden Aunt Smelling Fire
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Interior of a Dressing Room with Jack Bannister

Interior of a Dressing Room with Jack Bannister
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Gentleman's Art Gallery

A Gentleman's Art Gallery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 inches (14.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. New Shoes

New Shoes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:
Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1852
Materials & Techniques:
watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/16 x 14 7/16 inches (26.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Summer Room in the Artist's House at Patna

The Summer Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Nun of the Order of Santa Clara

Nun of the Order of Santa Clara
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 5 5/8 inches (23.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Woman Operating a Device (Flour Mill?)

Woman Operating a Device (Flour Mill?)
Creator:
Samuel Davis, 1760–1819
Date:
between 1777 and 1808
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 11 1/4 inches (24.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Settling the Disputed Point

Settling the Disputed Point
Creator:
Richard Dadd, 1817–1886
Date:
1854
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 14 3/8 inches (25.4 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Dinner Party at a Mandarin's House

Dinner Party at a Mandarin's House
Creator:
Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. An Interior View of the Colosseum, Rome

An Interior View of the Colosseum, Rome
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A Girl Peeling Vegetables

A Girl Peeling Vegetables
Creator:
Joshua Cristall, 1768–1847
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 17 11/16 x 14 inches (45 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Interior with Mother and Two Children

Interior with Mother and Two Children
Creator:
Edward Thompson Davis, 1833–1867
Date:
undated
Materials & Techniques:
Watercolor and graphite and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Card Party

The Card Party
Creator:
Francis Hayman, 1707/8–1776
Date:
between late 1720s to early 1730s
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The French Lady in London

The French Lady in London
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1771
Materials & Techniques:
Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection