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1. Stratford Mill

Stratford Mill
Creator:
John Constable, 1776–1837
Date:
1819 to 1820
Materials & Techniques:
Oil on canvas
Dimensions:
51 1/2 × 72 1/2 inches (130.8 × 184.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view at YUAG

2. A Landscape at Wick, Gloucestershire, 'Below the Rocks'

A Landscape at Wick, Gloucestershire, 'Below the Rocks'
Creator:
Benjamin Barker, 1776–1838
Date:
ca. 1824
Materials & Techniques:
Oil on paper on canvas
Dimensions:
7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

3. Cambrian Road, Richmond

Cambrian Road, Richmond
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1913 to 1914
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 20 inches (40.6 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. The Artist's Garden at Durbins, Guildford

The Artist's Garden at Durbins, Guildford
Creator:
Roger Fry, 1866–1934
Date:
ca. 1915
Materials & Techniques:
Oil on canvas
Dimensions:
18 3/8 x 29 7/8 inches (46.7 x 75.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

5. A View near Norwich

A View near Norwich
Creator:
Thomas Lound, 1802–1861
Date:
ca. 1850
Materials & Techniques:
Oil on canvas
Dimensions:
16 5/8 x 12 3/8 inches (42.2 x 31.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

6. On the Kennet, Reading

On the Kennet, Reading
Creator:
William Havell, 1782–1857
Date:
1807
Materials & Techniques:
Oil on card
Dimensions:
4 5/8 x 8 9/16 inches (11.7 x 21.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

7. A Distant View of Hythe Village and Church, Kent

A Distant View of Hythe Village and Church, Kent
Creator:
Arthur Nelson, active 1765–1773
Date:
ca. 1767
Materials & Techniques:
Oil on panel
Dimensions:
22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

8. The Chalon Family in London

The Chalon Family in London
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1800
Materials & Techniques:
Oil on Academy Board
Dimensions:
5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

9. Harrow Hill after Snow

Harrow Hill after Snow
Creator:
Keith Vaughan, 1912–1977
Date:
1968
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 36 inches (101.6 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

10. Windsor

Windsor
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1798
Materials & Techniques:
Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Receipt for a Set of Six London Views

Receipt for a Set of Six London Views
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1758
Materials & Techniques:
Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Bridgenorth, Shropshire

Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Scene near Shipton on Cherwell, Oxfordshire

Scene near Shipton on Cherwell, Oxfordshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1835
Materials & Techniques:
Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
George Henry Harlow, 1787–1819
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Interior of the New Bedford

Interior of the New Bedford
Creator:
Spencer Frederick Gore, 1878–1914
Date:
between 1908 and 1909
Materials & Techniques:
Black chalk, white chalk and graphite, squared for transfer on medium, slightly textured, mauve wove paper
Dimensions:
Sheet: 14 1/2 x 10 inches (36.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Water-mill, Kingston, Surrey

Water-mill, Kingston, Surrey
Creator:
Michel Van Overbeek, active 1650–1680
Date:
undated
Materials & Techniques:
Brown wash and white gouache with pen and brown ink on medium, slightly textured, brown laid paper mounted on moderately thick, smooth, wove paper
Dimensions:
Sheet: 4 1/8 × 8 13/16 inches (10.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. River Stour, Suffolk

River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. River Stour, Suffolk

River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Canterbury Gate, Christ Church, Oxford

Canterbury Gate, Christ Church, Oxford
Creator:
Sir William Nicholson, 1872–1949
Date:
1903
Materials & Techniques:
Watercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Powerstock Castle

Powerstock Castle
Creator:
John Piper, 1903–1992
Date:
ca. 1945
Materials & Techniques:
Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. A Scene in the New Farce - as Performed at the Royalty Theatre!

A Scene in the New Farce - as Performed at the Royalty Theatre!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1821
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Worth Matravers, Dorset

Worth Matravers, Dorset
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:
Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Cottage at Deane, Hants.

Cottage at Deane, Hants.
Creator:
John Piper, 1903–1992
Date:
1938
Materials & Techniques:
Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. London. A Street: 'Henry IV Part II,' Act II, Scene I

London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. An Autumn Afternoon on Hampstead Heath

An Autumn Afternoon on Hampstead Heath
Creator:
Print made by John Copley, 1875–1950
Date:
1939
Materials & Techniques:
Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Ludlow Castle

Ludlow Castle
Creator:
Samuel Scott, 1701/2–1772
Date:
between 1765 and 1769
Materials & Techniques:
Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:
Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Windsor Castle

Windsor Castle
Creator:
John Piper, 1903–1992
Date:
1942
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, cream laid paper mounted on very thick, slightly textured, cream wove card
Dimensions:
Sheet: 10 3/4 × 7 1/2 inches (27.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. February - Ladies Gallery House of Commons

February - Ladies Gallery House of Commons
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 1/4in. (16.5 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
John Piper, 1903–1992
Date:
1942
Materials & Techniques:
Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Crystal Palace

Crystal Palace
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 3/4in. (16.5 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Frieze in Winchester Cathedral

Frieze in Winchester Cathedral
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor heightened with gold on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 4 5/8 inches (10.5 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Creator:
Paul Sandby, 1731–1809
Date:
1794
Materials & Techniques:
Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:
Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Cave of the Golden Calf: Study for Deer Hunting Mural

Cave of the Golden Calf: Study for Deer Hunting Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side

Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
Creator:
John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 13 9/16 inches (16.8 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Cave of the Golden Calf: Study of Two Frenzied Dancers

Cave of the Golden Calf: Study of Two Frenzied Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals

Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, graphite, and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. View of Richmond Castle, Yorkshire

View of Richmond Castle, Yorkshire
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount
Dimensions:
Sheet: 16 13/16 x 31 inches (42.7 x 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Granby Hill, Bristol

Granby Hill, Bristol
Creator:
James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. St. Paul's Cathedral in the Moonlight

St. Paul's Cathedral in the Moonlight
Creator:
Bill Brandt, 1904–1983
Date:
1944, printed 1955-60
Materials & Techniques:
Gelatin silver print on medium, semi-gloss photographic paper
Dimensions:
Sheet: 9 1/4 × 7 7/8 inches (23.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Holt Heath, near Norwich

Holt Heath, near Norwich
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 6 5/8 x 11 3/8 inches (16.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

53. The Last House in Lynmouth

The Last House in Lynmouth
Creator:
Helen Allingham, 1848–1926
Date:
1874
Materials & Techniques:
Watercolor and gouache with scratching out on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund