Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
7
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
8
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
9
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
10
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
12
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
13
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
14
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
15
unknown artist
Durham
ca. 1795
Not on view
16
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
17
James Moore, 1762–1799
Ely Cathedral
1790
18
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
19
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
20
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
21
unknown artist
Gloucester Cathedral
ca. 1795
22
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
23
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
24
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
26
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
27
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
28
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
29
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
30
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
31
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
32
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
34
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
35
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
37
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
38
James Moore, 1762–1799
Refectory of Walsingham
1790
39
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
40
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
41
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
42
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
43
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
44
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
46
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
47
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
48
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
49
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
50
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..