Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
10
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
11
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
12
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
13
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
14
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
15
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
16
Samuel Howitt, 1756–1822
Polecat
ca. 1817
17
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
18
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
19
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
20
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
21
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
22
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
23
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
24
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
25
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
26
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
27
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
28
Richard Parkes Bonington, 1802–1828
A Seascape
undated
29
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
30
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
31
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
32
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
33
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
34
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
35
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
36
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
37
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
38
Samuel Howitt, 1756–1822
Honey-Badger
1817
39
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
40
John Linnell, 1792–1882
Tythrop
1817
41
Richard Parkes Bonington, 1802–1828
A Faun with Pipes
undated
42
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
43
Alexander Monro, 1802–1844
Knaresborough
undated
44
Alexander Monro, 1802–1844
Porchester Castle
undated
45
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
46
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
47
Alexander Monro, 1802–1844
Classical Landscape
undated
48
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
49
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
50
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
51
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
52
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
53
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
54
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
55
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
56
Thomas Shotter Boys, 1803–1874
A Christening
undated
57
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
58
John Thomas Smith, 1766–1833
The Smock Exposed
1817
59
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
60
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
61
John Thomas Smith, 1766–1833
The Reconcilation
1817
62
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
63
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
64
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
65
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
66
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
67
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
68
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
69
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
70
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
71
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
72
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
73
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
74
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
75
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
76
Francis Oliver Finch, 1802–1862
Classical Scene
undated
77
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
78
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
79
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
80
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
81
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
82
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
83
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
84
John Thomas Smith, 1766–1833
Original Drawings Illustrating the Life of Hogarth by J. T. Smith
1817
85
Attributed to Sir Edwin Henry Landseer, 1802–1873
Sheep Dog Sleeping
undated
86
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
87
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
88
Thomas Rowlandson, 1756–1827
The Family Picture
1817
89
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
90
Sir Edwin Henry Landseer, 1802–1873
Sir Massey Storey Cooking the Turtle
undated
91
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
92
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
93
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
94
attributed to John Sell Cotman, 1782–1842
Studies of Four Coffin Lids from ?Norfolk Churches
ca. 1822
95
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
96
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
97
George Cruikshank, 1792–1878
Caricature Sketch of a Man
undated
98
George Cruikshank, 1792–1878
Sketches of Three Heads
undated
99
attributed to John Sell Cotman, 1782–1842
Studies of Five Coffin Lids from ?Norfolk Churches