Date: 1817 / Period: 19th century / Classification: Drawings & Watercolors

1. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Rheinfels Looking to Katz and Gourhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Near Gravesend from the High Road

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1817
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Landscape

Creator:: attributed to Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

8. Aldgate

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: 1817
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/8in. (22.9 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Gray wash, black wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 16 3/4 inches (40.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Grisons/ Looking to Glarnisch (Switzerland) Mountains

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 16 3/8 inches (52.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "After Pinnelli" (Group of Peasants Outside a House)

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 5/8in. (19.8 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Single Frigate, Stern Forward; Albion 20 April 1817

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1817
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

13. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Keep and Gate, Ludlow Castle, Shropshire

Creator:: Thomas Lound, 1802–1861
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/8 × 19 3/4 inches (35.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Three Sheep at Rest

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Oil with varnish on medium, smooth, beige wove paper
Dimensions:: Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

16. Polecat

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. North American Lynx

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. An Episode at the Battle of Waterloo

Creator:: William Heath, 1795–1840
Date:: 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of St. Catherine's Hill near Guildford

Creator:: attributed to Charles Claude Pyne, 1802–1878
Date:: undated
Materials & Techniques:: Watercolor over graphite; on verso: watercolor, graphite and chalk on medium, slightly textured, wove paper
Dimensions:: Sheet: 7 × 19 1/4 inches (17.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lord Craven's Yacht, July 23, 1817

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

24. The Footbridge

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, gum arabic, and scratching out on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. South East View of the Church and Palace at Croydon, Surrey

Creator:: John Chessell Buckler, 1793–1894
Date:: 1817
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Wooded Stream and a Farmhouse in Normandy

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, rough, brown wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/2 inches (20 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Seascape

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Honey-Badger

Creator:: Samuel Howitt, 1756–1822
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Faun with Pipes

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Classical Landscape with Figures

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 inches (17.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Porchester Castle

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/16 inches (7.3 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Landscape at Boxhill, Surrey

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Boxhill from West Humble Lane

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Classical Landscape

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:: Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Buildings Belonging to Magdalen Hall, Oxford

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Brown ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 19 15/16 x 15 3/8 inches (50.6 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Palais de Justice, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 4 7/8 inches (30.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Stable Boy with Cart Horses

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study of a Woman with her Head on her Hand

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 4 7/8 inches (10.5 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Study of a Seated Woman

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Fruit Stall in a Market

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Four Hooded Falcons

Creator:: Attributed to John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 11 1/8 inches (16.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Six Foxhounds Resting

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/4 inches (11.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

Creator:: James Ward, 1769–1859
Date:: ca. 1822
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Study of a Startled Horse

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper, mounted on board
Dimensions:: Sheet: 1 5/8 × 2 15/16 inches (4.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ile de la Cite

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.6 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Abbey St-Amand, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 inches (19.1 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Classical Scene

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, gum arabic, and scratcing out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 23 3/16 inches (44 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

77. Road Workers, near Lillebonne

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 3/8 inches (10.5 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Huntsman with Hounds

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and brown ink, red chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sportsman and Two Dogs

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Dappled Horse in a Stable

Creator:: style of Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 15 × 18 1/4 inches (38.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Herd of Deer Grazing in a Park

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 7/16 inches (25.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Original Drawings Illustrating the Life of Hogarth by J. T. Smith

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink and brown ink on very thick, moderately textured, beige wove paper
Dimensions:: Portfolio: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Sheep Dog Sleeping

Creator:: Attributed to Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Black and white chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 3 1/8 × 7 inches (7.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. An Irish Wolfhound

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/8 inches (16.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Jealousy, Rage, Disappointment...

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sir Massey Storey Cooking the Turtle

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Brown wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 x 8 5/8 inches (18.4 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lions at Play

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Red and black chalk with graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jane Ritchie in memory of Andrew Carnduff Ritchie

92. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Tub Thumper

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Studies of Four Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 7/8 inches (27.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Landscape with Windmills

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Caricature Sketch of a Man

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 3 inches (7.6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Sketches of Three Heads

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 6 1/4 inches (21.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Studies of Five Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 11 x 14 7/8 inches (27.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Five Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 7/8 inches (27.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1817

Period 19th century

Classification Drawings & Watercolors

Search Results

1. A View of Boppart, with Figures on the River Bank

2. Rheinfels Looking to Katz and Gourhausen

3. Margate

4. Vesuvius in Eruption

5. Andernach

6. Near Gravesend from the High Road

7. Landscape

8. Aldgate

9. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

10. Grisons/ Looking to Glarnisch (Switzerland) Mountains

11. "After Pinnelli" (Group of Peasants Outside a House)

12. Single Frigate, Stern Forward; Albion 20 April 1817

13. Lewes Bridge, Sussex

14. The Keep and Gate, Ludlow Castle, Shropshire

15. Three Sheep at Rest

16. Polecat

17. North American Lynx

18. An Episode at the Battle of Waterloo

19. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

20. View of St. Catherine's Hill near Guildford

21. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

22. After Pinnelli - Group of Peasants Outside a Church

23. Lord Craven's Yacht, July 23, 1817

24. The Footbridge

25. Regent Street, Looking Toward Piccadilly From Waterloo Place

26. South East View of the Church and Palace at Croydon, Surrey

27. A Wooded Stream and a Farmhouse in Normandy

28. A Seascape

29. Hogarth Declaring His Love to Miss Thornhill

30. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

31. Queen Anne Boleyn's Room, Windsor Castle

32. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

33. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

34. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

35. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

36. The Eleventh Hour

37. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

38. Honey-Badger

39. Interior of the Belfry, Bushey Church

40. Tythrop

41. A Faun with Pipes

42. Classical Landscape with Figures

43. Knaresborough

44. Porchester Castle

45. Landscape at Boxhill, Surrey

46. Boxhill from West Humble Lane

47. Classical Landscape

48. Buildings Belonging to Magdalen Hall, Oxford

49. Palais de Justice, Rouen

50. Stable Boy with Cart Horses

51. Study of a Woman with her Head on her Hand

52. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

53. Study of a Seated Woman

54. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

55. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

56. A Christening

57. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

58. The Smock Exposed

59. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

60. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

61. The Reconcilation

62. Hogarth Drawing Sarah Malcolm

63. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

64. Hogarth Sitting to Roubiliac for His Bust

65. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

66. A Fruit Stall in a Market

67. Four Hooded Falcons

68. Six Foxhounds Resting

69. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

70. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

71. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

72. Hunting Scene: The Meet

73. Study of a Startled Horse