One of a set of 6 (4): A Day's Journal of a Sponge
1824
12
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
13
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
14
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
15
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
16
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
17
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
18
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
19
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
20
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
21
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
22
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
23
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
24
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
25
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
26
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
27
Print made by Edward Goodall, 1795–1870
Cologne
1824
28
Print made by Edward Goodall, 1795–1870
Cologne
1824
29
Print made by Edward Goodall, 1795–1870
Cologne
1824
30
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
31
Print made by Edward Goodall, 1795–1870
Cologne
1824
32
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
33
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1824
34
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
35
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
36
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
37
Print made by James C. Allen, active 1821–1831
Dunbar
1824
38
Print made by James C. Allen, active 1821–1831
Dunbar
1824
39
Print made by John Horsburgh, 1791–1869
Bell Rock Lighthouse
1824
40
Print made by John Horsburgh, 1791–1869
Bell Rock Lighthouse
1824
41
Print made by Charles Turner, 1774–1857
More Park from Rivers of England
1824
42
Edward Radclyffe, 1809–1863
Deepdene near Dorking
undated
43
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
44
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
45
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
46
Charles Heath, 1785–1848
Stratford-on-Avon
1824
47
Charles Heath, 1785–1848
Stratford-on-Avon
1824
48
M. Gauci, 1810–1846
Alexander Morison M.D
ca.1829
49
unknown artist
May Day
1824
50
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
51
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
52
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
53
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
54
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
55
Joseph Stannard, 1797–1830
Whitlingham
1824
56
Joseph Stannard, 1797–1830
Boats in a Dock
between 1824 and 1827
57
Joseph Stannard, 1797–1830
Landscape with Bridge
1824 to 1827
58
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
59
Print made by Henry Heath, active 1824–1835
Miss-Ann-Thropy
undated
60
George Hunt, active 1820–1840
The Toast
1824
61
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident (vignette on wrapper)
1824 to 1825
62
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse
1824-1825
63
Print made by Thomas Goff Lupton, 1791–1873
Sunrise, Whiting Fishing at Margate
1824 to 1825
64
Print made by Thomas Goff Lupton, 1791–1873
Sunrise, Whiting Fishing at Margate
1824-1827
65
Thomas Abiel Prior, 1809–1886
Chelsea - Albert Bridge
undated
66
Print made by James Thompson, 1790–1850
W. Sharp
1824
67
Henry Thomson, 1773–1843
Martin Archer Shee
1824
68
Thomas Sutherland, ca. 1785–1838
A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
1824
69
Thomas Sutherland, ca. 1785–1838
A set of four: The Death. London, pub. by Thos. McLean, 1824
1824
70
Thomas Sutherland, ca. 1785–1838
A set of four: Full Cry. London, pub. by Thos. McLean, 1824
1824
71
Thomas Sutherland, ca. 1785–1838
A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
1824
72
Henry Thomas Alken, 1785–1851
Set of 6 with the printed wrapper: British Proverbs
1824
73
unknown artist
Gurney's New Steam Carriage
ca. 1829
74
Robert Havell, 1769–1832
Coaching: The Reading Coaches
1824
75
George Maile, active 1824–1840
[Shooting] The Sportsman (four lines of verse by J. Emery)
1824
76
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
77
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
78
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
79
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
80
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
81
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
82
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
83
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
84
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
85
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
86
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
87
Henry Heath, active 1824–1835
An Irish Tilting Match, or the Poissardes against the Poignards
1824
88
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
89
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
90
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
91
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
92
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
93
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
94
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre