Heads and Necks of Two Horses Wearing Bridles, Right Profiles
undated
403
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
404
Anthony Devis, 1729–1817
American Deer
undated
405
unknown artist
Studies of a Sleeping Lion
undated
406
Sawrey Gilpin, 1733–1807
A Horse Standing, Head Turned, Wearing Quarter Sheet
undated
407
unknown artist
Head of a Male Lion
undated
408
Sawrey Gilpin, 1733–1807
Horse Standing, Side View Facing Right
undated
409
Sawrey Gilpin, 1733–1807
Chestnut Mare and Foal
undated
410
Sawrey Gilpin, 1733–1807
Studies of Cattle
undated
411
Sawrey Gilpin, 1733–1807
A Horse Grazing
undated
412
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
413
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
414
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
415
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
416
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
undated
417
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
418
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
419
James Sowerby, 1756–1822
Tusked Walruses
undated
420
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
421
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
422
James Ward, 1769–1859
Head of a Tiger
undated
423
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
424
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
425
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
426
James Ward, 1769–1859
Arctic Dog, Facing Left
undated
427
Sawrey Gilpin, 1733–1807
A Group of Eight Horses Fighting
undated
428
Sawrey Gilpin, 1733–1807
Hunting: The Meet
undated
429
Sawrey Gilpin, 1733–1807
Three Lions, Prowling
undated
430
Sawrey Gilpin, 1733–1807
A Horse, Facing Left
undated
431
Sawrey Gilpin, 1733–1807
A Horse, Facing Right
undated
432
Sawrey Gilpin, 1733–1807
Four Horses Standing in a Group in the Shade of Large Trees by Water
undated
433
Sawrey Gilpin, 1733–1807
Two Bay Horses in a Landscape
undated
434
William Hamilton, 1751–1801
William Beckford's Ponies
undated
435
John Frederick Herring, 1795–1865
Five Horses near a Brook
1850
436
Samuel Howitt, 1756–1822
Animals of the Cat Family, with a Bear and Foxes
undated
437
Samuel Howitt, 1756–1822
A Cheetah Crouching by a Pool
undated
438
Samuel Howitt, 1756–1822
Dead Teal
undated
439
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
440
Newton Limbird Smith Fielding, 1799–1856
Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool
1832
441
Sawrey Gilpin, 1733–1807
Three Tigers in a Rocky Landscape
undated
442
Charles Cooper Henderson, 1803–1877
Interior of a Post-House Stable, With Horses Feeding
undated
443
Newton Limbird Smith Fielding, 1799–1856
Ducks on a Pond
1833
444
Mrs. P. D. H. Page, 20th century
Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
undated
445
Mrs. P. D. H. Page, 20th century
Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
undated
446
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
447
Mrs. P. D. H. Page, 20th century
Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]
undated
448
Mrs. P. D. H. Page, 20th century
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
undated
449
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
450
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
451
Thomas Daniell, 1749–1840
A Rhinoceros: Head and Shoulders, Facing Left
undated
452
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
453
Samuel Howitt, 1756–1822
A Woodcock
undated
454
George Jones, 1786–1869
A Camel, Facing Left, Sept. 1856
1856
455
George Jones, 1786–1869
A Camel Resting
undated
456
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
457
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
458
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
459
James Seymour, 1702–1752
Sketches of a Gelding
undated
460
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
461
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
462
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
463
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
464
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
undated
465
unknown artist
Head of a Leopard
undated
466
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
467
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
468
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
469
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
470
George Chinnery, 1774–1852
Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840
1840
471
Thomas Sidney Cooper, 1803–1902
A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835
undated
472
Thomas Sidney Cooper, 1803–1902
A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
ca. 1835
473
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
474
Sawrey Gilpin, 1733–1807
Frightened Horse Tied to a Post
undated
475
Sawrey Gilpin, 1733–1807
A Group of Five Horses Fighting
undated
476
Sawrey Gilpin, 1733–1807
Le Piaffer, Dressage Position
undated
477
Sawrey Gilpin, 1733–1807
Three Pheasants Surrounding an Owl
undated
478
Sawrey Gilpin, 1733–1807
Saddled Horse, Facing Right
undated
479
John Frederick Herring, 1795–1865
Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks
1850
480
James Ward, 1769–1859
Eagles
undated
481
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
482
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
483
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
484
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
485
James Ward, 1769–1859
A Wild Boar
1814
486
Peter DeWint, 1784–1849
A Terrier, Sitting, Facing Left
undated
487
unknown artist
Head of an Eagle, Facing Left
undated
488
Sir Alfred J. Munnings, 1878–1959
"On Tom Bland": Study of a Carriage Horse, Facing Left
undated
489
John Frederick Tayler, 1802–1889
"Fanny's Colt", July 26, 1886
1886
490
John Frederick Tayler, 1802–1889
"Fanny", July 26, 1886
1886
491
Edward William Cooke, 1811–1880
Two Horses
undated
492
Joseph Crawhall, 1861–1913
A Black Rabbit
undated
493
Joseph Crawhall, 1861–1913
Tangiers Beach: A Horse Shying at a Crab
undated
494
Joseph Crawhall, 1861–1913
The Spangled Cock
1903
495
Sir Francis Grant, 1803–1878
Study of a Hound, Running
undated
496
Paul Sandby, 1731–1809
A Man and a Saddled Horse
undated
497
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
498
Sir Alfred J. Munnings, 1878–1959
Sketch For The Portrait of George Lambton and His Son
undated
499
Sir Alfred J. Munnings, 1878–1959
"An Easy Liver": Study of a Grazing Horse, Facing Right
undated
500
Sir Alfred J. Munnings, 1878–1959
"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right