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Boat Building near Dinan, Brittany
Creator:
Francis Danby, 1793–1861
Date:
ca. 1838
Materials & Techniques:
Oil on paper laid on panel
Dimensions:
9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study of Hollyhocks
Creator:
Attributed to John Constable, 1776–1837
Date:
ca. 1826
Materials & Techniques:
Oil on board
Dimensions:
9 1/2 x 7 inches (24.1 x 17.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Somerset House Terrace from Waterloo Bridge
Creator:
John Constable, 1776–1837
Date:
ca. 1819
Materials & Techniques:
Oil on panel
Dimensions:
6 1/8 x 7 3/8 inches (15.6 x 18.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on paper laid on card
Dimensions:
9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View on Hampstead Heath, Early Morning
Creator:
Attributed to John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Stormy Sea, Brighton
Creator:
John Constable, 1776–1837
Date:
ca. 1828
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
6 1/2 × 10 1/2 inches (16.5 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Undergrowth
Creator:
John Constable, 1776–1837
Date:
ca. 1815
Materials & Techniques:
Oil on paper on board
Dimensions:
6 1/2 x 11 1/2 inches (16.5 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lion and Lioness
Creator:
George Stubbs, 1724–1806
Date:
1770
Materials & Techniques:
Enamel on copper
Dimensions:
9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Temple of Venus and Rome, Rome
Creator:
Edward Lear, 1812–1888
Date:
1840
Materials & Techniques:
Oil on paper laid on card
Dimensions:
9 5/8 x 13 3/8 inches (24.4 x 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Kinchinjunga
Creator:
Edward Lear, 1812–1888
Date:
1877
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 x 14 1/2 inches (24.1 x 36.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:
Not on view

11. Mill Reef

Mill Reef
Creator:
John R. Skeaping, 1901–1980
Date:
1973
Materials & Techniques:
Bronze
Dimensions:
Overall: 9 1/2 × 13 1/2 × 4 inches, 5 lb. (24.1 × 34.3 × 10.2 cm, 2.3 kg)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Study for Mare and Foal, Lytchetts, Clayhidon
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1917
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 17 inches (34.4 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Mart
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian Hill Town
Creator:
Samuel Palmer, 1805–1881
Date:
after 1838
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rock Slip near Boscastle
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1840
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Boxhill

Boxhill
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
1868
Materials & Techniques:
Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1800; impression printed in 1924
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 9 3/8 x 12 1/4 inches (23.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Foxhound on the Scent
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 4 inches (9.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Subscription Ticket: Three Characters and Four Caricaturas
Creator:
William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from Greenwich
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inverary Pier, Loch Fyne, Morning
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (b)(touched) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Dabblers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Landscape with Barn
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:
Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
Stonehenge at Daybreak
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Grindelwald
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Calder Bridge
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 1/2 x 13 9/16 inches (24.1 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Valmontone, from Views in Rome and its Environs, 1841
Creator:
Edward Lear, 1812–1888
Date:
1841
Materials & Techniques:
Lithograph on wove paper
Dimensions:
Plate: 9 1/2 × 14 15/16 inches (24.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841
Creator:
Edward Lear, 1812–1888
Date:
1841
Materials & Techniques:
Lithograph on wove paper
Dimensions:
Plate: 9 3/8 x 16 15/16in. (23.8 x 43cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Views of Sicily
Creator:
Edward Lear, 1812–1888
Materials & Techniques:
Various media, including: black pencil or chalk with some white chalk on blue paper; gouache; some squared
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oasis Village
Creator:
Edward Lear, 1812–1888
Date:
1854
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Toske

Toske
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 12 1/2 inches (23.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Albogasio

Albogasio
Creator:
Edward Lear, 1812–1888
Date:
1837
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 5/8 x 13 13/16 inches (24.4 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 x 13 7/8 inches (24.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
The Pontine Marshes above Terracina
Creator:
Edward Lear, 1812–1888
Date:
ca. 1880
Materials & Techniques:
Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Rocky Valley of Mosta, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

43. Taormina

Taormina
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Vignette

Vignette
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rocca di Falconiera
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castel D'Aci
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Pantalica

Pantalica
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Syracuse

Syracuse
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Syracuse

Syracuse
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Graphite sketch on loose sheet
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Palermo

Palermo
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Study with Ancient Ruins
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monte Pellegrino
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Palermo

Palermo
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Study
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Palermo

Palermo
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Cefalù

Cefalù
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Borghetto

Borghetto
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Termini

Termini
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Cefalù

Cefalù
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sommantino
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Segesta

Segesta
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Agrigento

Agrigento
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Favara

Favara
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Agrigento

Agrigento
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Agrigento

Agrigento
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Segesta

Segesta
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Pantalica

Pantalica
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Taormina

Taormina
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Syracuse

Syracuse
Creator:
Edward Lear, 1812–1888
Date:
ca. 1845
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Mola

Mola
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Catania

Catania
Creator:
Edward Lear, 1812–1888
Dimensions:
Sheet: 9 1/4 x 11 3/4in. (23.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Frontispiece Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 18, "Over the Hills...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 7, "Albions Angel stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 17, "On Albions Angels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 3, "Preludium"
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection