<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Subject Terms men

Remove constraint Subject Terms: men

Search Results

John Constable Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
John Constable, 1776–1837
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
George Stubbs Reapers
George Stubbs, 1724–1806
Reapers
1795
On view at YUAG
Joseph Mallord William Turner Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
Joseph Mallord William Turner, 1775–1851
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
Joseph Mallord William Turner Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
Francis Danby Shipwreck
Francis Danby, 1793–1861
Shipwreck
ca. 1850
Not on view
Francis Danby Boat Building near Dinan, Brittany
Francis Danby, 1793–1861
Boat Building near Dinan, Brittany
ca. 1838
Not on view
Robert Polhill Bevan "Quiet with all Road Nuisances"
Robert Polhill Bevan, 1865–1925
"Quiet with all Road Nuisances"
ca. 1912
Not on view
Robert Polhill Bevan The Horse Mart
Robert Polhill Bevan, 1865–1925
The Horse Mart
1917 to 1918
Not on view
Robert Polhill Bevan A Morning at Tattersall's
Robert Polhill Bevan, 1865–1925
A Morning at Tattersall's
1921
Not on view
John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
John Constable Sketch for "The Hay Wain"
John Constable, 1776–1837
Sketch for "The Hay Wain"
ca. 1820
Not on view
George Stubbs Labourers
George Stubbs, 1724–1806
Labourers
1781
Not on view
George Stubbs Studies for or after "The third Duke of Richmond with the Charleton Hunt"
George Stubbs, 1724–1806
Studies for or after "The third Duke of Richmond with the Charleton Hunt"
late 1750s
Not on view
George Stubbs Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
George Stubbs, 1724–1806
Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
ca. 1767
Not on view
George Stubbs Two Gentlemen Shooting
George Stubbs, 1724–1806
Two Gentlemen Shooting
ca. 1769
Not on view
George Stubbs A Repose after Shooting
George Stubbs, 1724–1806
A Repose after Shooting
1770
Not on view
George Stubbs Two Gentlemen Going a Shooting
George Stubbs, 1724–1806
Two Gentlemen Going a Shooting
1768
Not on view
Willem van de Velde the Younger An Action between English Ships and Barbary Corsairs
Willem van de Velde the Younger, 1633–1707
An Action between English Ships and Barbary Corsairs
ca. 1695
On view at YUAG
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
Richard Parkes Bonington Corso Sant'Anastasia, Verona
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
William Hogarth The Family of John, 2nd Duke of Montagu and an Attendant
William Hogarth, 1697–1764
The Family of John, 2nd Duke of Montagu and an Attendant
between 1730 and 1735
Not on view
Joseph Mallord William Turner Limekiln at Coalbrookdale
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
Joseph Mallord William Turner Tummel Bridge, Perthshire
Joseph Mallord William Turner, 1775–1851
Tummel Bridge, Perthshire
between 1802 and 1803
Not on view
Joseph Mallord William Turner Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight
Joseph Mallord William Turner, 1775–1851
Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight
1799
Not on view
Joseph Mallord William Turner Lake Avernus: Aeneas and the Cumaean Sibyl
Joseph Mallord William Turner, 1775–1851
Lake Avernus: Aeneas and the Cumaean Sibyl
between 1814 and 1815
Not on view
Edward Lear Zagori, Greece
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
Edward Lear Kangchenjunga from Darjeeling
Edward Lear, 1812–1888
Kangchenjunga from Darjeeling
1879
Not on view
Edward Lear The Forest of Valdoniello, Corsica
Edward Lear, 1812–1888
The Forest of Valdoniello, Corsica
1869
Not on view
Edward Lear Mount Athos and the Monastery of Stavronikétes
Edward Lear, 1812–1888
Mount Athos and the Monastery of Stavronikétes
1857
Not on view
George Romney A Conversation (The Artist's Brothers Peter and James Romney)
George Romney, 1734–1802
A Conversation (The Artist's Brothers Peter and James Romney)
1766
Not on view
George Romney John Flaxman Modeling the Bust of William Hayley
George Romney, 1734–1802
John Flaxman Modeling the Bust of William Hayley
1795 to 1796
Not on view
Francis Danby The Ferry
Francis Danby, 1793–1861
The Ferry
ca. 1840
John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Crocks
Robert Polhill Bevan, 1865–1925
Crocks
ca. 1924
Robert Polhill Bevan Sale at Ward's Repository, No. 2
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth Gabriel Hunt
William Hogarth, 1697–1764
Gabriel Hunt
undated
Joseph Mallord William Turner Lake of Thun, Switzerland
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Folkestone Harbour and Coast to Dover
Joseph Mallord William Turner, 1775–1851
Folkestone Harbour and Coast to Dover
ca. 1829
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797