View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf. 1802; Plate 2 from Views in Paris, the Emanuel Volume Tracing of the plate, B1981.25.2613
1802
3
W. Pickett, active 1792–1820, British
View of the Thuilleies and Bridge & C., taken from Pont de la Concorde, 1803; Plate 6 from Views in Paris, the Emanuel Volume - tracing of the plate B1981.25.2615
1803
4
Frederick Christian Lewis the Elder, 1779–1856, British
Views of the Pantheon, taken from the Arseal 1803; Plate 12 from Views in Paris, the Emanuel Volume tracing of the plate 1981.25.2621
1803
5
Frederick Christian Lewis the Elder, 1779–1856, British
View of the Palace and Village of Choisi, on the Banks of the Siene 1803; Plate 14 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2623
1803
6
Frederick Christian Lewis the Elder, 1779–1856, British
View of the Village of Chaillot & C. taken from Pont de la Concorde 1803; Plate 17 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2626
1803
7
Richard Banks Harraden, 1778–1862, British
View from Palace Terrace at St. Germain en Laye; The Aqueduct of Marli seen in the distance 1803; Plate 16 from Views in Paris, the Emanuel Volume tracing of the plate, B1981.25.2625
1803
8
Thomas Girtin, 1775–1802, British
View of the Pont St.Michel, taken from the Pont Neuf, 1803 (study for Plate 4 from Views in Paris)
1803
9
Thomas Shotter Boys, 1803–1874, British
Le Pont Royal, Paris
ca. 1828
10
W. Pickett, active 1792–1820, British
A general View of Paris, taken from Chaillot 1803. Plate 5 from Views in Paris, the Emanuel Volume no tracing of the plate is known
1803
11
Frederick Christian Lewis the Elder, 1779–1856, British
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations, 1803; Plate 7 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2616
1803
12
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
13
Richard Banks Harraden, 1778–1862, British
The Water Works at Marli,and St. Germain en Laye seen in the distance 1803; Plate 15 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2624
1803
14
Frederick Christian Lewis the Elder, 1779–1856, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve 1802; Plate 18 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2627
1802
15
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
16
Print made by Robert Wallis, 1794–1878, British
Havre
1833
17
Print made by Robert Wallis, 1794–1878, British
Havre
1832
18
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
19
after Thomas Girtin, 1775–1802, British
View of the City with the Louvre. 1802; Plate 3 from Views in Paris, the Emanuel Volume
1802
20
Richard Banks Harraden, 1778–1862, British
View of the Pont St. Michael, taken from the Pont Neuf, 1803
1803
21
Frederick Christian Lewis the Elder, 1779–1856, British
View of Pont au Change, Theatre de la Cite, Pont Neuf and the Conciergerie Prison
1803
22
William Henry Lake Price, ca. 1810–ca. 1896
The Pont Neuf
undated
23
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
24
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
25
Print made by Robert Brandard, 1805–1862, British
Chateau de Tancarville with Town of Quilleboeuf
1834
26
Print made by James Charles Armytage, 1802–1897, British
Jumieges
1834
27
Print made by Robert Brandard, 1805–1862, British
La Chaise de Gargantua near Duclair
1834
28
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
29
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
30
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
31
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
32
Print made by William Radclyffe, 1780–1855, British
Marche aux Fleurs and Pont-au-Change
1835
33
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
34
Print made by Robert Brandard, 1805–1862, British
Chateau de la Mailleraie
1834
35
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
36
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
37
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834-1836
38
Print made by William Radclyffe, 1780–1855, British
Bridge of St. Cloud & Sevres
1835
39
Print made by Thomas Jeavons, ca. 1800–1867, British
Hotel de Ville and Pont d'Arcole
1835
40
Print made by James T. Willmore, 1800–1863, British
Paris from the Barriere de Passy
1835
41
Print made by William Miller, 1796–1882, British
Melun
1835
42
Print made by James T. Willmore, 1800–1863, British
The Lanterne of St. Cloud
1835
43
Print made by James Charles Armytage, 1802–1897, British
Troyes
1835
44
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
45
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Chateau
1834
46
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
47
Print made by Robert Brandard, 1805–1862, British
Between Quilleboeuf and Villequier
1834
48
Print made by John Cousen, 1804–1880, British
Honfleur
1834
49
Print made by John Smith, 1652–1743, British
Chateau Gaillard, from the east
1835
50
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
51
Print made by John Cousen, 1804–1880, British
Bridge of Meulan
1835
52
Print made by William Miller, 1796–1882, British
St. Cloud
1834
53
Print made by William Miller, 1796–1882, British
St. Cloud
1835
54
Print made by William Richardson, active 1842–1877, British
Rouen Distant View
1836
55
William Callow, 1812–1908, British, active in France
The Luxor, Paris, December 1833
1833
56
William Callow, 1812–1908, British, active in France
View of the Pont Royal
ca. 1833
57
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
58
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
59
Frederick Christian Lewis the Elder, 1779–1856, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
60
William Brockedon, 1787–1854, British
recto: A View of Pont St. Louis
61
Thomas Girtin, 1775–1802, British
View of the Pantheon from the Arsenal
1802
62
Print made by James T. Willmore, 1800–1863, British
Le Havre
1833
63
Print made by John Cousen, 1804–1880, British
Harfleur
1834
64
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Chateau
1834
65
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1833
66
Print made by Robert Brandard, 1805–1862, British
Chateau de la Mailleraie
1834
67
Print made by William Radclyffe, 1780–1855, British
Mantes
1835
68
Print made by James T. Willmore, 1800–1863, British
The Lanterne of St. Cloud
1835
69
Print made by James T. Willmore, 1800–1863, British
Paris from the Barriere de Passy
1835
70
Print made by William Radclyffe, 1780–1855, British
Bridges of St. Cloud and Sevres
1835
71
William Callow, 1812–1908, British, active in France
Mont-Valérien from Bois de Boulogne
1834
72
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834
73
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
74
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
75
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
76
Print made by James Charles Armytage, 1802–1897, British
Jumeges
1834
77
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
78
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
79
Print made by William Miller, 1796–1882, British
Melun
1835
80
Print made by James Charles Armytage, 1802–1897, British
Troyes
1835
81
Print made by Robert Brandard, 1805–1862, British
Chateau de Tancarville, with Town of Quilleboeuf
1834
82
Print made by William Miller, 1796–1882, British
Rouen, Looking Down the River
1833
83
Print made by John Cousen, 1804–1880, British
Honfleur
1834
84
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
85
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
86
Print made by Robert Brandard, 1805–1862, British
View on the Seine, between Mantes and Vernon
1835
87
Print made by John Cousen, 1804–1880, British
Bridge of Meulan
1835
88
Print made by William Radclyffe, 1780–1855, British
Marche aux Fleurs and the Pont-au-Change
1835
89
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
90
Print made by Thomas Jeavons, ca. 1800–1867, British
Hotel de Ville and Pont d'Arcole
1835
91
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
1802
92
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
93
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
94
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
95
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
96
Thomas Girtin, 1775–1802, British
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
1802
97
Thomas Girtin, 1775–1802, British
View of the Pantheon, taken from the Arsenal
1803
98
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
99
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
100
Thomas Girtin, 1775–1802, British
View of the Tuilleries and Bridge, taken from the Quai d'Orsay