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Subject Terms literary theme

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake Jerusalem, Plate 17, "His Spectre divides...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 17, "His Spectre divides...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 26, "Such Visions Have...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

William Blake Jerusalem, Plate 27, "To the Jews...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 27, "To the Jews...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 52, "To the Deists...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 52, "To the Deists...."

1804 to 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake Jerusalem, Plate 55, "When those who disregard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 55, "When those who disregard...."

1804 to 1820

William Blake Jerusalem, Plate 56, "Then Los heaved...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 56, "Then Los heaved...."

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

1804 to 1820

William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 98, "Then each an Arrow flaming...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

George Romney Paradise Lost Sketchbook

George Romney, 1734–1802

Paradise Lost Sketchbook

ca. 1793

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

George Romney Lear Awakened by Cordelia

George Romney, 1734–1802

Lear Awakened by Cordelia

between 1774 and 1775

George Romney Miranda, Prospero, and Caliban: The Tempest

George Romney, 1734–1802

Miranda, Prospero, and Caliban: The Tempest

undated

George Romney Prospero and Miranda

George Romney, 1734–1802

Prospero and Miranda

ca. 1787

George Romney Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)

George Romney, 1734–1802

Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)

undated

George Romney Lear Awakened by Cordelia

George Romney, 1734–1802

Lear Awakened by Cordelia

ca. 1774

George Romney Sketch for Canidia and the Youth

George Romney, 1734–1802

Sketch for Canidia and the Youth

undated

George Romney "Lear in the Storm," King Lear, Act III, Scene II

George Romney, 1734–1802

"Lear in the Storm," King Lear, Act III, Scene II

undated

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth

George Romney, 1734–1802

Three Studies of a Standing Woman, Possibly Lady MacBeth

undated

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Sketchbook Drawing

George Romney, 1734–1802

Sketchbook Drawing

ca. 1793

George Romney Daphnis and Chloe

George Romney, 1734–1802

Daphnis and Chloe

undated

George Romney Standing Figure, Probably for Lady Macbeth

George Romney, 1734–1802

Standing Figure, Probably for Lady Macbeth

undated

George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

George Romney, 1734–1802

Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

undated

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated