The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
14
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808, published 1813
15
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
16
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
17
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
18
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
19
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
20
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
21
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
1843
22
John Hill, 1770–1850
Pass-Room Bridewell
1808
23
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
24
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
25
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
26
Print made by unknown artist
Luscombe, Seat of Charles Hoare, Esquire
undated
27
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
28
Print made by Samuel Prout, 1783–1852
Rudiments of Landscape in Progressive Studies, Plate 46
1813
29
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 15
1824
30
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 13
1824
31
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 9
1824
32
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 12
1824
33
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 8
1824
34
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 3
1824
35
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 14
1824
36
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 6
1824
37
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock
1824
38
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 11
1824
39
Print made by Newton Limbird Smith Fielding, 1799–1856
Fallow Deer
1836
40
Print made by Newton Limbird Smith Fielding, 1799–1856
Goats in Glencoe
1836
41
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 16
1824
42
Print made by Newton Limbird Smith Fielding, 1799–1856
The Stable
1836
43
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 5
1824
44
Print made by John Bluck, active 1791–1831
Clare Hall
1814
45
Print made by John Bluck, active 1791–1831
Clare Hall
1814
46
Print made by unknown artist
The Sacred page Displayed
1821
47
Print made by unknown artist
Royal Hospital of St. Catherines, Regent's Park
1828
48
Print made by unknown artist
Bullock's Museum Piccadilly
1815
49
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
50
unknown artist
New Bethlem Hospital, St. George's Fields
1817
51
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
52
Print made by unknown artist
View of the Site of the Monastery of the Simplon, & of Mount Rosa
1820
53
Print made by unknown artist
Royal Hospital of St. Catherine's, Regent's Park
1828
54
Print made by unknown artist
Waterfal of Pissevache
1818
55
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
56
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1817
57
Print made by unknown artist
The Banqueting House, Whitehall
undated
58
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
59
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1809
60
Print made by unknown artist
Russell Institution, Great Coram Street
1811
61
Print made by Daniel Havell, 1785–1826
St. John's Library
1815
62
Print made by unknown artist
Winding Silk
1822
63
Printed by Charles J. Hullmandel, 1789–1850
Groups of Cattle Drawn from Nature, Frontispiece
1839
64
Print made by John Harris, 1811–1865
The Arrival at Waterford, Commin's Hotel
1856
65
Print made by Samuel William Reynolds, 1773–1835
The Rt. Honorable Lord Charles Callis Western
1844
66
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
67
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
68
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
69
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
70
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
71
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
72
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
73
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
74
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
75
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
76
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
77
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
78
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
79
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813
80
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Steam Yacht 'North Star,' New York Yacht Club
1853
81
Ackermann, Rudolph, 1764–1834
Packet of embossed gilt paper ornaments
1810?
82
Ackermann, Rudolph, 1764–1834
A list of caricatures,
1814]
83
Ackermann, Rudolph, 1764–1834
A fourth book, containing twelve imitations of drawings, of modern carriages
[1797]
84
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
85
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow
1809
86
Ackermann, Rudolph, 1764–1834
Change of proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1816.]
87
Ackermann, Rudolph, 1764–1834
R. Ackermann's repository of fashions
1829
88
Ackermann, Rudolph, 1764–1834
Selection of ornaments ..
1817-19
89
Ackermann, Rudolph, 1764–1834
Watercolor box
between 1799 and 1827
90
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1815.]
91
Ackermann, Rudolph, 1764–1834
Books, &c. published by R. Ackermann, No. 101, Strand, London
[1823]
92
Ackermann, Rudolph, 1764–1834
Number I. Of a new series of Ackermann's Repository of Arts, Literature, Fashion, &c. ..
1815.]
93
Ackermann, Rudolph, 1764–1834
Ackermann's manual of colours, used in the different branches of water-colour painting:
MDCCCXLIV [1844]
94
Ackermann, Rudolph, 1764–1834
Historical sketch of Moscow
1813
95
Ackermann, Rudolph, 1764–1834
The history of the colleges of Winchester, Eton, and Westminster
MDCCCXVI [1816]
96
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription,
[1815]
97
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription, in twenty monthly numbers, forming two volumes, The history of the University of Cambridge
1814.]
98
Ackermann, Rudolph, 1764–1834
Prospectus. The history of Little Johnny, the foundling of the late Doctor Syntax
[1821?]
99
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow in imitation of indian ink