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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre religious and mythological subject

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Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
Sir Peter Paul Rubens Peace Embracing Plenty
Sir Peter Paul Rubens, 1577–1640
Peace Embracing Plenty
between 1633 and 1634
On view at YUAG
Joseph Mallord William Turner Lake Avernus: Aeneas and the Cumaean Sibyl
Joseph Mallord William Turner, 1775–1851
Lake Avernus: Aeneas and the Cumaean Sibyl
between 1814 and 1815
Not on view
William Blake Virgin and Child
William Blake, 1757–1827
Virgin and Child
1825
Not on view
Benjamin West Study of the Lamentation on the Dead Christ
Benjamin West, 1738–1820
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
John Frederick Lewis “And the Prayer of Faith Shall Save the Sick”
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Richard Wilson The Destruction of the Children of Niobe
Richard Wilson, 1713/4–1782
The Destruction of the Children of Niobe
1760
Not on view
Sir James Thornhill Sketch for 'The Last Supper,' St. Mary's, Weymouth
Sir James Thornhill, 1675–1734
Sketch for 'The Last Supper,' St. Mary's, Weymouth
between 1719 and 1720
Not on view
Maria Hadfield Cosway The Judgement of Korah, Dathan and Abiram
Maria Hadfield Cosway, 1759–1838
The Judgement of Korah, Dathan and Abiram
ca. 1801
Not on view
Louis Laguerre The Rape of Proserpine, design for the staircase of Devonshire House, London
Louis Laguerre, 1663–1721
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
unknown artist Aeneas and the Sibyl
unknown artist
Aeneas and the Sibyl
ca. 1800
Not on view
Henry Fuseli Tekemessa and Eurysakes
Henry Fuseli, 1741–1825
Tekemessa and Eurysakes
between 1800 and 1810
Not on view
Thomas Stothard An Unfinished Study of Venus and Adonis
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
John Runciman Mary and Joseph Outside the Inn
John Runciman, 1744–1768
Mary and Joseph Outside the Inn
1763 to 1768
Not on view
James Ward Diana at the Bath
James Ward, 1769–1859
Diana at the Bath
1830
Not on view
James Ward Venus Rising from her Couch
James Ward, 1769–1859
Venus Rising from her Couch
1828
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Henry Fuseli Dido
Henry Fuseli, 1741–1825
Dido
1781
Not on view
Balthazar Nebot Allegory of Fortune
Balthazar Nebot, active 1730–1762
Allegory of Fortune
ca. 1730
Not on view
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
John Martin The Deluge
John Martin, 1789–1854
The Deluge
1834
Not on view
Benjamin West Rebecca Receiving the Bracelet at the Well
Benjamin West, 1738–1820
Rebecca Receiving the Bracelet at the Well
1775
Not on view
Robert Bateman The Pool of Bethesda
Robert Bateman, 1842–1922
The Pool of Bethesda
1877
Not on view
unknown artist The Crucifixion
unknown artist
The Crucifixion
between 1830 and 1840
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
John Martin Belshazzar's Feast
John Martin, 1789–1854
Belshazzar's Feast
1820
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
Gavin Hamilton The Death of Lucretia
Gavin Hamilton, 1723–1798
The Death of Lucretia
1763 to 1767
Not on view
Benjamin Robert Haydon Venus and Anchises
Benjamin Robert Haydon, 1786–1846
Venus and Anchises
1826
Not on view
Henry Fuseli Christ Disappearing at Emmaus
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
Henry Fuseli The Mandrake: A Charm
Henry Fuseli, 1741–1825
The Mandrake: A Charm
exhibited RA 1785
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
Alfred Gilbert St. George
Alfred Gilbert, 1854–1934
St. George
1891 to 1896
Not on view
Joseph Nollekens Venus
Joseph Nollekens, 1737–1823
Venus
1770s
Not on view
Joseph Nollekens Adonis
Joseph Nollekens, 1737–1823
Adonis
1770s
Not on view
Christopher Hewetson Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
Christopher Hewetson, 1737/38–1798
Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
ca. 1772
Not on view
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner St. Mary's Redcliffe, Bristol
after Joseph Mallord William Turner, 1775–1851
St. Mary's Redcliffe, Bristol
1814
Joseph Mallord William Turner Les Fetes de la Moisson
after Joseph Mallord William Turner, 1775–1851
Les Fetes de la Moisson
Joseph Mallord William Turner Aeneas Relating His Adventures to Dido
after Joseph Mallord William Turner, 1775–1851
Aeneas Relating His Adventures to Dido
Joseph Mallord William Turner Le Depart de la Flotte des Troyens
after Joseph Mallord William Turner, 1775–1851
Le Depart de la Flotte des Troyens
Joseph Mallord William Turner Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841
after Joseph Mallord William Turner, 1775–1851
Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 79, "My tents are fall'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Jerusalem, Plate 90, "The Feminine separates...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797