Genre: architectural subject and religious and mythological subject / Image Use: Free to Use

1. Sketch for 'The Last Supper,' St. Mary's, Weymouth

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1719 and 1720
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/4 x 23 3/8 inches (43.8 x 59.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Rape of Proserpine, design for the staircase of Devonshire House, London

Creator:: Louis Laguerre, 1663–1721
Date:: ca. 1704
Materials & Techniques:: Oil on canvas
Dimensions:: 42 1/8 x 30 inches (107 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. St. Mary's Redcliffe, Bristol

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1814
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Apollo and the Muses

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 15/16 inches (21.9 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Fall of Phaeton: A Study for a Ceiling

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Design of Apollo and the Python for a Painted over-door Decoration

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on thin, slightly textured, beige laid paper laid down on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 8 1/2 inches (21.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Brass Chrism of Constance Bownell and her Baby from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: 1796-1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Stone Henge, Wiltshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study for Ceiling: Apollo and other Figures

Creator:: Attributed to Domenico Mondo, 1723– c.1808
Date:: undated
Materials & Techniques:: Watercolor, gouache, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 7 1/4in. (25.1 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Boston, Lincolnshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Ancient Crosses at Whalley

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Distant View of Whalley Abbey

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Scale:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Cloisters of Whalley Abbey

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Line engraving, open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 11 3/4 inches (25.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Line engraving (engraver's proof) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 14 1/4 inches (28.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Columbus and his Son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dryden's Monument

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 8 1/2 inches (34.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Christening at the Vatican with Swiss Papal Guard, etc.

Creator:: Attributed to James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Church of the Holy Sepulchre

Creator:: William James Muller, 1812–1845
Date:: between 1838 and 1840
Materials & Techniques:: Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Design for a Wall Panel

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 x 8 1/8 inches (40.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 3/4 inches (22.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Winged Figure Slaying a Bull

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/8 inches (14.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

47. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 4 1/2 inches (24.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Grantham Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Whalley Abbey (nearer view)

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Stonyhurst

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Sherburne Chapel in Mitton Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Line engraving, published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of Redcliff Church &c. Bristol

Creator:: Print made by John Pye, 1782–1874
Date:: 1814
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Columbus and his Son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Jerusalem from the Mount of Olives

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jerusalem from the Latin Convent

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. St. Michael's Mount - Shipwreck of Lycidas

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Ludlow Castle - Rising of the Water - Nymphs

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. New Abbey, Near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Shakespeare's Monument at the Church at Stratford upon Avon

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Santa Sabas and the Brook Kidron

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Ramah and Rachel's Tomb

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Mount Lebanon and the Convent of St. Antonio

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Dryden's Monument

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1715
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/2 x 6 inches (14 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Kirkstall Abbey on the River Aire

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving; early proof, 1st state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 13 1/16 inches (22.9 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Dryden's Monument

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Dryden's Monument

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 11 1/2 inches (34 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. New Abbey, near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Santa Sabes and the Brook Kidron

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, and graphite, with scraping, (Engraver's Proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. St. Mary's Church, Dover

Creator:: Print made by Sir Emery Walker, 1851–1933
Date:: 1903
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Shakespeare's Monument at the Church at Stratford upon Avon

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 11 1/2 inches (34.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Shakespeare's Monument at the Church at Stratford upon Avon

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/4 × 9 1/4 inches (26 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Mount Lebanon and the Convent of St. Antonio

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Difference of Opinion

Creator:: Print made by Auguste Boulard, 1852–1927
Date:: 1897
Materials & Techniques:: Etching and drypoint on vellum
Dimensions:: Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bryan Fuermann

96. Rievaulx Abbey - from LIII - 'The Gallery of Modern British Artists' 1834-1836

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Stonehenge

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Columbus and his son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 6 3/8 inches (29.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Death of the First Born of Egypt

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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1. Sketch for 'The Last Supper,' St. Mary's, Weymouth

2. The Rape of Proserpine, design for the staircase of Devonshire House, London

3. The Fifth Plague of Egypt

4. St. Mary's Redcliffe, Bristol

5. Apollo and the Muses

6. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

7. The Fall of Phaeton: A Study for a Ceiling

8. Diana and Actaeon: A Study for a Panel on a Staircase

9. Design of Apollo and the Python for a Painted over-door Decoration

10. Christ Church College, Oxford

11. Christ Church College, Oxford

12. Eaton College, Berkshire

13. Eaton College, Berkshire

14. Eaton College, Berkshire

15. Malvern Abbey and Gate, Worcestershire

16. Brinkburn Priory, Northumberland

17. Brinkburn Priory, Northumberland

18. Christ Church College, Oxford

19. Brass Chrism of Constance Bownell and her Baby from Heston Church

20. Stone Henge, Wiltshire

21. Brinkburn Priory, Northumberland

22. Ely Cathedral, Cambridgeshire

23. Study for Ceiling: Apollo and other Figures

24. Boston, Lincolnshire

25. St. Julian's, Tours

26. Inside View of the East End of Merton College Chapel

27. Ancient Crosses at Whalley

28. Distant View of Whalley Abbey

29. Cloisters of Whalley Abbey

30. Crypt in Kirkstall Abbey, Yorkshire

31. Crypt in Kirkstall Abbey, Yorkshire

32. St. Herbert's Chapel

33. Cortes and Pizarro

34. St. Julienne's Chapel

35. Columbus and his Son

36. Dryden's Monument

37. Milan

38. Milan

39. The Daughters of Jerusalem Weeping by the Waters of Babylon

40. A Christening at the Vatican with Swiss Papal Guard, etc.

41. Sketch for the Oil Painting "The Conversion of St. Paul"

42. The Church of the Holy Sepulchre

43. Design for a Wall Panel

44. A Design for a Ceiling

45. Design for a Ceiling

46. Winged Figure Slaying a Bull

47. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

48. Grantham Church

49. Winchester Cross

50. Whalley Abbey (nearer view)

51. Stonyhurst

52. The Sherburne Chapel in Mitton Church

53. Durham Cathedral

54. View of Redcliff Church &c. Bristol

55. St. Herbert's Chapel

56. St. Julienne's Chapel

57. Florence, from the Chiesa al Monte

58. Turin from the Portico of the Superga Church

59. Columbus and his Son

60. Cortes and Pizarro

61. Jerusalem from the Mount of Olives

62. Jerusalem from the Latin Convent

63. St. Michael's Mount - Shipwreck of Lycidas

64. Ludlow Castle - Rising of the Water - Nymphs

65. New Abbey, Near Dumfries

66. Shakespeare's Monument at the Church at Stratford upon Avon

67. Santa Sabas and the Brook Kidron

68. Ramah and Rachel's Tomb

69. Mount Lebanon and the Convent of St. Antonio

70. Dryden's Monument

71. A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

72. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

73. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle