Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
3
Samuel Scott, 1701/2–1772
View on the Thames with Westminster Bridge
between 1743 and 1744
Not on view
4
Joseph Farington, 1747–1821
Westminster Abbey and Bridge
1794
Not on view
5
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
6
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
7
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
8
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
9
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
10
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
11
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
12
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
13
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
14
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
15
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
16
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
17
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
18
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
19
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
20
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
21
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
22
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
23
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
24
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
25
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
26
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
27
John Maurer, active 1713–1761
A Perspective View of Whitehall
28
unknown artist
The Royal Palace of St. James's next the Park
29
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
30
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
31
Thomas Bowles III, ca. 1712–1767
The Inside of Westminster Abby
32
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
33
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
34
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
35
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
36
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
37
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
38
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
39
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
40
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
41
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
42
John Boydell, 1720–1804
St. Clement Danes
1751
43
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
44
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard
45
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
46
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
47
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
48
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
49
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
50
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
51
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
52
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
53
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
54
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
65
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
66
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
67
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
68
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
69
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
70
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
73
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
77
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
80
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
81
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
82
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
83
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
84
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
85
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
86
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
89
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
90
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
91
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
92
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
93
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
94
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
95
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
96
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
97
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
98
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard