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Period 18th century-19th century

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James Malton A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq.
James Malton, 1761–1803
A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
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Henry Phillip Hope Adrian Hope's House I: View of Entrance Hall Towards Staircase
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
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Henry Phillip Hope Adrian Hope's House I: Elevation of Library Cabinet
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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Henry Phillip Hope Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
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Henry Phillip Hope Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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Henry Phillip Hope Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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Henry Phillip Hope Adrian Hope's House II: Gallery - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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Henry Phillip Hope Adrian Hope's House II: Drawing Room - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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Henry Phillip Hope Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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Henry Phillip Hope Adrian Hope's House II: Furniture Designs
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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Henry Phillip Hope Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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Henry Phillip Hope Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
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Henry Phillip Hope Bedgebury: View of Interior of Pavilion (3 of 4)
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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Henry Phillip Hope Bedgebury: Alternative design for Pavilion Window
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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Henry Phillip Hope Bedgeway: View of Interior of Pavilion... (4 of 4)
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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Henry Phillip Hope Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
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Henry Phillip Hope Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
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Henry Phillip Hope Rue Pigale, Quai D'Orsay: Elevation View
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
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Henry Phillip Hope Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
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Henry Phillip Hope Rue Pigale, Quai D'Orsay - Elevation sur la Cour
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
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Henry Phillip Hope Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
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Henry Phillip Hope Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
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unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Rev. William Gilpin A Withered Top
Attributed to Rev. William Gilpin, 1724–1804
A Withered Top
Undated
Henry Phillip Hope Vue d'une Ancien Aquaduc a Alexandria Troas
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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Henry Phillip Hope Vue du Temple de Minerve au Cap Colonne
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
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Henry Phillip Hope Paysage
Henry Phillip Hope, active 1799–1818
Paysage
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Henry Phillip Hope Cariatides d'Athenes
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
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Henry Phillip Hope Plan of Private Entrance from the Uxbridge Road (Arklow House)
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
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Henry Phillip Hope South East Front of the Deepdene
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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Henry Phillip Hope Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls..
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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John William Upham The Castle at Dieppe, Normandy
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
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Philippe-Jacques de Loutherbourg Tranquilité champêtre
Philippe-Jacques de Loutherbourg, 1740–1812
Tranquilité champêtre
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Philippe-Jacques de Loutherbourg La Bonne Petite Soeur
Philippe-Jacques de Loutherbourg, 1740–1812
La Bonne Petite Soeur
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unknown artist Two Bears
unknown artist
Two Bears
James Sowerby Two Birds in a Landscape
James Sowerby, 1756–1822
Two Birds in a Landscape
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James Sharples Captain Webber
James Sharples, ca. 1751–1811
Captain Webber
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Edward Francis Burney Putting Arms in the Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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unknown artist Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
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Henry Hoppner Meyer Margaret Emma, the Lady Kenyon
Print made by Henry Hoppner Meyer, ca. 1782–1847
Margaret Emma, the Lady Kenyon
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George Keating John Philip Kemble, as Richard III
George Keating, 1762–1842
John Philip Kemble, as Richard III
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William Sharp John Philip Kemble
William Sharp, 1749–1824
John Philip Kemble
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John Hoppner Portrait Study of a Young Man, possibly Frank Issom
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
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Thomas Harrison Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
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unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
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Henry Bernard Chalon Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
Henry Bernard Chalon, 1771–1849
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
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Henry Bernard Chalon Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
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Henry Bernard Chalon Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
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Henry Bernard Chalon Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
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Henry Bernard Chalon Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
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Henry Bernard Chalon Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
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Henry Bernard Chalon Studies of Horses: 'Various Actions of Flemish Horses'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Various Actions of Flemish Horses'
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Henry Bernard Chalon Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
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Henry Bernard Chalon Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
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Henry Bernard Chalon Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
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Henry Bernard Chalon Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
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Henry Bernard Chalon Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
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Henry Bernard Chalon Studies of Horses: 'Officers Chargers With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
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Henry Bernard Chalon Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
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Henry Bernard Chalon Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
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James Ross A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon
James Ross, 1745–1823
A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon
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Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
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Francesco Bartolozzi Shepherdess on Horseback talking to Traveller with Sythe
Francesco Bartolozzi, 1728–1815
Shepherdess on Horseback talking to Traveller with Sythe
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Francesco Bartolozzi Bacchus on a Barrel
Francesco Bartolozzi, 1728–1815
Bacchus on a Barrel
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
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James Miller Loose Sheet of Notes by the Artist
James Miller, active 1773–1814
Loose Sheet of Notes by the Artist
Francesco Bartolozzi Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
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Francesco Bartolozzi Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
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Francesco Bartolozzi Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
Francesco Bartolozzi, 1728–1815
Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
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Francesco Bartolozzi Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot
Francesco Bartolozzi, 1728–1815
Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot
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Thomas Stothard A Family Group at a Cottage Door
Thomas Stothard, 1755–1834
A Family Group at a Cottage Door
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Francesco Bartolozzi Horsewoman to Woman - with Three Children
Francesco Bartolozzi, 1728–1815
Horsewoman to Woman - with Three Children
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Francesco Bartolozzi View of the Inside of the Vestibulum
Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
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unknown artist St. Barts' South Transept
unknown artist
St. Barts' South Transept
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Thomas Miles Richardson Sr. Wooden Jetty
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
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unknown artist One of Six Designs for Wall Decoration
unknown artist
One of Six Designs for Wall Decoration
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unknown artist Section of the Chimney Side for the Alteration of the Great Hall
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall
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unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
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unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
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James Ward [One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer.
Attributed to James Ward, 1769–1859
[One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer
Frederick Christian Lewis the Elder Landscape with Watermill
Frederick Christian Lewis the Elder, 1779–1856
Landscape with Watermill
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unknown artist The North Front of St. Pauls
unknown artist
The North Front of St. Pauls
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George Perfect Harding Lady Mary Dudley
George Perfect Harding, 1780–1853
Lady Mary Dudley
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Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1800
John Crome Three Landscape Studies
Print made by John Crome, 1768–1821
Three Landscape Studies
undated
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
unknown artist One of Six Designs for a Wall Decoration
unknown artist
One of Six Designs for a Wall Decoration
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John Varley From an Album of Sixty-one Topographical Sketches
John Varley, 1778–1842
From an Album of Sixty-one Topographical Sketches