Materials & Techniques: wove paper / Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11) / Image Available: Available

1. Old Cedar Tree in Botanic Garden, Chelsea

Creator:: Samuel Palmer, 1805–1881
Date:: 1854
Materials & Techniques:: Black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Pistil Mawddach, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: between 1835 and 1836
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1861
Materials & Techniques:: Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Labourers

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1789
Materials & Techniques:: Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

25. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

26. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

27. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

28. Luxor, 7:00 am, 20 January 1867 (198)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, slightly textured, gray-green wove paper
Dimensions:: Sheet: 3 9/16 x 10 3/8 inches (9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Luxor, 7:30 am, 20 January 1867 (199)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 3 1/8 x 10 3/8 inches (7.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. Near Suez, 1 pm, 16 January 1849 (48)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

31. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32. Abu Simbel, 4:30 pm, 8 February 1867 (379)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 10 inches (8.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Dendera, 15 January 1867 (155)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 10 1/8 inches (7.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. Dendera, 9:00 am, 15 January 1867 (156)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 10 1/2 inches (8.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

35. Dendera, 9:15 am, 15 January 1867 (157)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 10 1/2 inches (8.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Dendera, 15 January 1867 (158)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 12 5/8 inches (7.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. Abu Simbel, 9:00 am, 8 February 1867 (372A)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Abu Simbel, 10:30 am, 9 February 1867 (383)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, and white gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 10 1/8 inches (9.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

39. Abu Simbel, 1:00 pm, 9 February 1867 (384)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 10 1/16 inches (9.8 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

40. Abu Simbel, 1:10 pm, 9 February 1867 (385)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

41. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. King's College, Cambridge, from Trinity

Creator:: Print made by John Piper, 1903–1992
Date:: ca. 1954
Materials & Techniques:: Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Old Road: Elegy for the English Elm I

Creator:: Print made by Robin Tanner, 1904–1988
Date:: 1976
Materials & Techniques:: Etching on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

45. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Two Women holding a Basket

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 4 7/8 inches (16.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Rievaulx Abbey, Yorkshire

Creator:: John Piper, 1903–1992
Date:: 1942
Materials & Techniques:: Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Sir Gareth and Lady Lionesse

Creator:: David Jones, 1895–1974
Date:: ca. 1940
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/4 x 19 inches (61.6 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Powerstock Castle

Creator:: John Piper, 1903–1992
Date:: ca. 1945
Materials & Techniques:: Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Portrait of Samuel Palmer, Head and Shoulders

Creator:: George Richmond, 1809–1896
Date:: 1830
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Portrait of Samuel Palmer, February 5, 1828

Creator:: George Richmond, 1809–1896
Date:: 1828
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:: Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Samuel Palmer

Creator:: George Richmond, 1809–1896
Date:: 1830
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Worth Matravers, Dorset

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:: Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Ramesseum at Thebes

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Bedouin Encampment; or, Bedouin Arabs

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Sheik Hussein of Gebel Tor and His Son

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1842 and 1843
Materials & Techniques:: Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 1/8 x 14 1/2 inches (51.1 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Man in Egyptian Dress

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Return Home

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1830
Materials & Techniques:: Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Sheep of His Pasture

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1828
Materials & Techniques:: Engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Maur's Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/4 inches (20 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Study for Thermaie Antoniniane

Creator:: Sir Lawrence Alma-Tadema, 1836–1912
Date:: 1899
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 6 x 10 3/8 inches (15.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Reclining Figure

Creator:: Henry Moore, 1898–1986
Date:: 1939
Materials & Techniques:: Black chalk, white chalk, graphite, gray wash and crayon on medium, slightly textured, beige wove paper
Dimensions:: Frame: 30 3/4 x 35 1/2 x 3 inches (78.1 x 90.2 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

69. Wooded Landscape with Country Cart and Figures

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Black and white chalk, gray wash and black wash on medium, slightly textured, antique buff wove paper prepared with gray
Dimensions:: Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Banqueting House, Whitehall: Front Elevation

Creator:: Thomas Forster, ca. 1677–after 1712
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Tiger Lying in the Entrance of a Cave

Creator:: Elizabeth Pringle, active ca. 1800
Date:: 1796
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Great Temple of Amon Karnak, The Hypostyle Hall

Creator:: David Roberts, 1796–1864
Date:: 1838
Materials & Techniques:: Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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1. Old Cedar Tree in Botanic Garden, Chelsea

2. The Weary Ploughman

3. At Hailsham, Sussex: a Storm Approaching

4. View from Rook's Hill, Kent

5. Pistil Mawddach, North Wales

6. A Barn with a Mossy Roof, Shoreham

7. Sunset

8. Cornfield and Church by Moonlight

9. Labourers

10. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

11. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

12. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

13. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

14. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

15. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

16. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

17. Tiger Skeleton, Lateral View (Finished Study for Table IV)

18. Fowl Skeleton, Lateral View (Finished Study for Table V)

19. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

20. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

21. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

22. A Sleeping Leopard

23. A Tiger and a Sleeping Leopard

24. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

25. The First Stage of Cruelty: Children Torturing Animals

26. The Fourth Stage of Cruelty: The Reward of Cruelty

27. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

28. Luxor, 7:00 am, 20 January 1867 (198)

29. Luxor, 7:30 am, 20 January 1867 (199)

30. Near Suez, 1 pm, 16 January 1849 (48)

31. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

32. Abu Simbel, 4:30 pm, 8 February 1867 (379)

33. Dendera, 15 January 1867 (155)

34. Dendera, 9:00 am, 15 January 1867 (156)

35. Dendera, 9:15 am, 15 January 1867 (157)

36. Dendera, 15 January 1867 (158)

37. Abu Simbel, 9:00 am, 8 February 1867 (372A)

38. Abu Simbel, 10:30 am, 9 February 1867 (383)

39. Abu Simbel, 1:00 pm, 9 February 1867 (384)

40. Abu Simbel, 1:10 pm, 9 February 1867 (385)

41. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

42. An Angel with a Trumpet

43. King's College, Cambridge, from Trinity

44. The Old Road: Elegy for the English Elm I

45. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

46. Two Women holding a Basket

47. Bridgenorth, Shropshire

48. Rievaulx Abbey, Yorkshire

49. Sir Gareth and Lady Lionesse

50. Powerstock Castle

51. Portrait of Samuel Palmer, Head and Shoulders

52. Portrait of Samuel Palmer, February 5, 1828

53. Samuel Palmer

54. Worth Matravers, Dorset

55. The Gunpowder Magazine, Hyde Park

56. The Ramesseum at Thebes

57. A Bedouin Encampment; or, Bedouin Arabs

58. Sheik Hussein of Gebel Tor and His Son

59. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

60. Man in Egyptian Dress

61. The Return Home

62. The Sheep of His Pasture

63. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

64. Wooded Landscape with Herdsman and Cows

65. Maur's Farm

66. The Magicians Marching off After the Success of their Incantations

67. Study for Thermaie Antoniniane

68. Reclining Figure

69. Wooded Landscape with Country Cart and Figures

70. Banqueting House, Whitehall: Front Elevation

71. A Tiger Lying in the Entrance of a Cave

72. The Great Temple of Amon Karnak, The Hypostyle Hall