Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
1843
2
Daniel Havell, 1785–1826
A View of the Bank of England
1816
3
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
4
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
5
John Hill, 1770–1850
Pass-Room Bridewell
1808
6
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
7
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
8
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
9
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
10
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
11
Print made by John Bluck, active 1791–1831
West India Docks
1810
12
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
13
John Hill, 1770–1850
Dining Hall, Asylum
1808
14
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
15
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
16
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
17
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
18
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
19
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
20
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
21
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
22
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808, published 1813
23
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
24
Rudolf Ackermann, 1764–1834
[Advertisement] Eclipse Sporting Gallery
ca. 1833
25
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
26
Print made by John Bluck, active 1791–1831
Clare Hall
1814
27
Print made by unknown artist
The Sacred page Displayed
1821
28
Print made by unknown artist
Royal Hospital of St. Catherines, Regent's Park
1828
29
Print made by unknown artist
Bullock's Museum Piccadilly
1815
30
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
31
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1809
32
Print made by unknown artist
Royal Hospital of St. Catherine's, Regent's Park
1828
33
Print made by unknown artist
Russell Institution, Great Coram Street
1811
34
unknown artist
New Bethlem Hospital, St. George's Fields
1817
35
Print made by Daniel Havell, 1785–1826
St. John's Library
1815
36
Print made by unknown artist
Luscombe, Seat of Charles Hoare, Esquire
undated
37
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
38
Print made by Samuel Prout, 1783–1852
Rudiments of Landscape in Progressive Studies, Plate 46
1813
39
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 15
1824
40
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 11
1824
41
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 13
1824
42
Print made by Newton Limbird Smith Fielding, 1799–1856
The Stable
1836
43
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 9
1824
44
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 8
1824
45
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 12
1824
46
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 6
1824
47
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 3
1824
48
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 14
1824
49
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 5
1824
50
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock
1824
51
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
52
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
53
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1817
54
Print made by unknown artist
The Banqueting House, Whitehall
undated
55
Print made by unknown artist
View of the Site of the Monastery of the Simplon, & of Mount Rosa
1820
56
Print made by unknown artist
Waterfal of Pissevache
1818
57
Print made by John Bluck, active 1791–1831
Clare Hall
1814
58
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 16
1824
59
Print made by Newton Limbird Smith Fielding, 1799–1856
Goats in Glencoe
1836
60
Print made by Newton Limbird Smith Fielding, 1799–1856
Fallow Deer
1836
61
Print made by unknown artist
Winding Silk
1822
62
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
63
Printed by Charles J. Hullmandel, 1789–1850
Groups of Cattle Drawn from Nature, Frontispiece
1839
64
Print made by John Harris, 1811–1865
The Arrival at Waterford, Commin's Hotel
1856
65
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Steam Yacht 'North Star,' New York Yacht Club
1853
66
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
67
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
68
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
69
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
70
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
71
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
72
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
73
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
74
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
75
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
76
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
77
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
78
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
79
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813
80
Print made by Samuel William Reynolds, 1773–1835
The Rt. Honorable Lord Charles Callis Western
1844
81
Ackermann, Rudolph, 1764–1834
Packet of embossed gilt paper ornaments
1810?
82
Ackermann, Rudolph, 1764–1834
A list of caricatures,
1814]
83
Ackermann, Rudolph, 1764–1834
A fourth book, containing twelve imitations of drawings, of modern carriages
[1797]
84
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
85
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow
1809
86
Ackermann, Rudolph, 1764–1834
Change of proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1816.]
87
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1815.]
88
Ackermann, Rudolph, 1764–1834
R. Ackermann's repository of fashions
1829
89
Ackermann, Rudolph, 1764–1834
Watercolor box
between 1799 and 1827
90
Ackermann, Rudolph, 1764–1834
Selection of ornaments ..
1817-19
91
Ackermann, Rudolph, 1764–1834
Books, &c. published by R. Ackermann, No. 101, Strand, London
[1823]
92
Ackermann, Rudolph, 1764–1834
Ackermann's manual of colours, used in the different branches of water-colour painting:
MDCCCXLIV [1844]
93
Ackermann, Rudolph, 1764–1834
Number I. Of a new series of Ackermann's Repository of Arts, Literature, Fashion, &c. ..
1815.]
94
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow in imitation of indian ink
1812
95
Ackermann, Rudolph, 1764–1834
Historical sketch of Moscow
1813
96
Ackermann, Rudolph, 1764–1834
Prospectus. The history of Little Johnny, the foundling of the late Doctor Syntax
[1821?]
97
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription, in twenty monthly numbers, forming two volumes, The history of the University of Cambridge
1814.]
98
Ackermann, Rudolph, 1764–1834
R. Ackermann's pattern card for embossed ornaments in gold, white, or other colours