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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre historical subject

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1. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Burning of the Houses of Parliament

Burning of the Houses of Parliament
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Le Depart de la Flotte des Troyens

Le Depart de la Flotte des Troyens
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Carisbrooke Castle

Carisbrooke Castle
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Scarborough

Scarborough
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. At Length for Hatching Ripe He Breaks the Shell; Plate 8

At Length for Hatching Ripe He Breaks the Shell; Plate 8
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. For Children. The Gates of Paradise, Title Page; Plate 2

For Children. The Gates of Paradise, Title Page; Plate 2
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. I Found Him Beneath a Tree; Plate 3

I Found Him Beneath a Tree; Plate 3
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Air; Plate 6

Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Earth; Plate 5

Earth; Plate 5
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Fire; Plate 7

Fire; Plate 7
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Does Thy God O Priest Take such Vengeance as This?; Plate 14

Does Thy God O Priest Take such Vengeance as This?; Plate 14
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. I Want! I Want!; Plate 11

I Want! I Want!; Plate 11
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Alas!; Plate 9

Alas!; Plate 9
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Aged Ignorance; Plate 13

Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Help! Help!; Plate 12

Help! Help!; Plate 12
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Fear & Hope Are -- Vision; Plate 15

Fear & Hope Are -- Vision; Plate 15
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Traveller Hasteth in the Evening; Plate 16

The Traveller Hasteth in the Evening; Plate 16
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Death's Door; Plate 17

Death's Door; Plate 17
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. At Rome

At Rome
Creator:
Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Commemoration of the Victory of June 1st, 1794

Commemoration of the Victory of June 1st, 1794
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engravng and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. William Beckford

William Beckford
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1772
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum

Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum
Creator:
Print made by James Basire the younger, 1769–1822
Date:
undated
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 13/16 inches (22.2 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Ticket: For the Benefit of Mr. Salomon

Ticket: For the Benefit of Mr. Salomon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Ticket: Walker's Lectures

Ticket: Walker's Lectures
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Sir David Baird discovering the body of Tipu Sultan

Sir David Baird discovering the body of Tipu Sultan
Creator:
Print made by John Burnet, 1784–1868
Date:
1843
Materials & Techniques:
Mezzotint, published state
Dimensions:
Sheet: 32 x 21in. (81.3 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Stipple engraving, proof before title on thick, rough, beige wove paper
Dimensions:
Sheet: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Field of Waterloo from Hougoumont

The Field of Waterloo from Hougoumont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Embassy of Hyderbeck to Calcutta

Embassy of Hyderbeck to Calcutta
Creator:
Richard Earlom, 1743–1822
Date:
1800
Materials & Techniques:
Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Westminster, during Queen Caroline's Trial

Westminster, during Queen Caroline's Trial
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 13 15/16in. (21.9 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Celebration on the Thames near Whitehall

Celebration on the Thames near Whitehall
Creator:
Willem van de Velde the Elder, ca. 1611–1693
Date:
1685
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
Creator:
Print made by William Baillie, 1723–1810
Date:
1774
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 1/2 × 17 1/2 inches (41.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. General George Monck

General George Monck
Creator:
after ? Michael van der Gucht, 1660–1725
Date:
undated
Materials & Techniques:
Stipple and line engraving on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 3 15/16 inches (16.5 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Tucumán, Argentina

Tucumán, Argentina
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1854
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. A Project for the Monument of the Apotheosis of Nelson

A Project for the Monument of the Apotheosis of Nelson
Creator:
Benjamin West, 1738–1820
Date:
1806
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The House of Commons

The House of Commons
Creator:
Sir James Thornhill, 1675–1734
Date:
after 1731
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Preparatory Study for the decoration "Equestrian Portrait of George I"

Preparatory Study for the decoration "Equestrian Portrait of George I"
Creator:
John Vanderbank, 1694–1739
Date:
undated
Materials & Techniques:
Graphite with brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 12 3/8 inches (28.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Hercules Resting

Hercules Resting
Creator:
Ramsay Richard Reinagle, 1775–1862
Date:
undated
Materials & Techniques:
Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Royal Rush Light

The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Field of Waterloo

Field of Waterloo
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Killiecrankie

Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Gertrude of Wyoming - the Waterfall

Gertrude of Wyoming - the Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Gertrude of Wyoming - the Valley

Gertrude of Wyoming - the Valley
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's Proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church

Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Hannibal passing the Alps (vignette)

Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. William Tell's Chapel (vignette)

William Tell's Chapel (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. No. 2. A. Table of Hieroglyphics found at Axum

No. 2. A. Table of Hieroglyphics found at Axum
Creator:
James Bruce, 1730–1794
Date:
1771
Materials & Techniques:
Pen and brown ink and black wash on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Petrarch's Tomb

Petrarch's Tomb
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Queen Judith reciting to Alfred when a child

Queen Judith reciting to Alfred when a child
Creator:
Richard Westall, 1765–1836
Materials & Techniques:
Engraving, mixed method on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Life School at the Royal Academy

Life School at the Royal Academy
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1773
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection