Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Carthamus tinctorius L. (Safflower): finished drawing of flowering plant
1765-1773
6
Luigi Balugani, 1737–1770
Sphyrna zygaena (Hammer-headed Shark)
1765-1773
7
Johann Heinrich Ramberg, 1763–1840
The St. Aubyn Family
1787
8
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
9
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
10
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
11
Bernard Lens III, 1682–1740
The Memorial of Lord Darnley
1728
12
Bernard Lens III, 1682–1740
Classical Landscape
1717
13
Hogarth, William, 1697–1764
The analysis of beauty
1753
14
Goeree, Willem, 1635–1711
An introduction to the general art of drawing,
1674
15
Sandby, Paul, 1731–1809
A collection of landskips, and figures, &c.
January 12, 1773
16
Lavater, Johann Caspar, 1741–1801
Essays on physiognomy
MDCCLXXXIX-MDCCXCVIII [1789-1798, i.e. 1799]
17
Bowles, Carington, 1724–1793
Bowles's polite recreation in drawing
[1779]
18
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
19
Hipwell, John
The elements of navigation
1759
20
Le Brun, Charles, Sir, 1619–1690
A method to learn to design the passions
1734
21
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
22
Parkinson, Thomas, active 1769–1789
Flower painting made easy
[1760?]
23
The excellency of the pen and pencil,
1688
24
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
25
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
26
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
27
Dubreuil, Jean, 1602–1670
Perspective practical
1698
28
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
29
Introduction to drawing ships
[1788]
30
Le Brun, Charles, Sir, 1619–1690
Bowles's Passions of the soul
[1800?]
31
Austin, William, 1721–1820
A specimen of sketching landscapes, in a free and masterly manner, with a pen or pencil
1781
32
Gwynn, John, 1713–1786
An essay on design
1749
33
Orme's Pocket sketch book
[1799]
34
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
35
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
36
Ditton, Humphry, 1675–1715
A treatise of perspective, demonstrative and practical
1712
37
[Flower groups]
[1798]
38
A new drawing book of heads, from Castiglione
[176-?]
39
Junius, Franciscus, 1589–1677
The painting of the ancients, in three bookes: declaring by historicall observations and examples, the beginning, progresse, and consvmmation of that most noble art. And how those ancient artificers attained to their still so much admired excellencie
1638
40
Grignion, Charles, 1721–1810
The triumph of painting
[1794]
41
Ackermann, Rudolph, 1764–1834
Lessons for beginners in the fine art
[1796]
42
Richardson, Jonathan, 1665–1745
An essay on the theory of painting
1715
43
Malton, Thomas, 1726–1801
A compleat treatise on perspective, in theory and practice;
1776
44
The florist
[ca. 1760]
45
Bickham, George, 1684?-1758?
The museum of arts
1745?]
46
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
47
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape
1793
48
The student's treasure
MDCCLXXXIX [1789]
49
Sir, there is a scheme set on foot for erecting a publick academy for the improvement of the arts of painting, sculpture and architecture ..
1753
50
The principles of drawing, design, and engraving;
1800
51
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
52
A curious collection of beasts, horses, and birds
[ca. 1750]
53
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art