Queen's College, Oxford: Plan and Elevation of Hall and Chapel
undated
202
Giovanni Stern, 1734–1794
Plans of Ancient Roman Baths - Terme de M Agrippa
undated
203
Giovanni Stern, 1734–1794
Plans of Ancient Roman Baths: Terme del Imp. Diocleziano
undated
204
John Thomas Smith, 1766–1833
The Reconcilation
1817
205
John Thomas Smith, 1766–1833
The Smock Exposed
1817
206
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
207
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
208
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
209
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
210
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
211
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
212
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
213
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
214
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
215
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
216
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
217
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
218
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
219
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
220
Sawrey Gilpin, 1733–1807
Landscape with Deer
undated
221
Sawrey Gilpin, 1733–1807
A Greyhound
1760
222
Sawrey Gilpin, 1733–1807
East View of Furness Abbey
undated
223
Sawrey Gilpin, 1733–1807
Dwelling on a Riverbank
undated
224
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
225
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
226
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
227
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
228
Rev. William Gilpin, 1724–1804
Landscape
1765
229
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
230
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
231
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
232
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Cliff
1769
233
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
234
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
235
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
236
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
237
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
238
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
239
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
240
Rev. William Gilpin, 1724–1804
Landscape with River, Castle and Mountains
between 1762 and 1783
241
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
242
Rev. William Gilpin, 1724–1804
River Landscape with Castles
between 1762 and 1783
243
Captain John Bernard Gilpin, 1701–1776
Church in a Landscape
undated
244
Sawrey Gilpin, 1733–1807
A Dwelling
undated
245
Sawrey Gilpin, 1733–1807
Boats at Sea
undated
246
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
247
Sawrey Gilpin, 1733–1807
Boats in a Rainstorm
undated
248
Sawrey Gilpin, 1733–1807
Sailboats on Calm Sea
undated
249
Sawrey Gilpin, 1733–1807
Two Sailboats
undated
250
Sawrey Gilpin, 1733–1807
Soldiers in a Landscape
undated
251
Rev. William Gilpin, 1724–1804
Landscape with Fisherman
between 1762 and 1783
252
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
253
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
254
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
255
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
256
Sir Robert Smirke the younger, 1781–1867
Arch of Trajan, Ancona, Italy
1804
257
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
258
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
259
Robert Smirke, 1752–1845
Skech for Timon of Athens
undated
260
Sir Robert Smirke the younger, 1781–1867
Sketch of a Temple
undated
261
Benjamin Robert Haydon, 1786–1846
Anatomical Study of a Leg
undated
262
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
263
E. M. Henderson, active 1815–1830
Yarmouth Bridge, Aug. 1829
1829
264
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
265
Joseph Cartwright, c.1789–1829
Revolutionaire July 20, 1821
1821
266
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
267
Joseph Cartwright, c.1789–1829
Frigate and Corvette, Stern Forward
undated
268
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
269
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
270
Joseph Cartwright, c.1789–1829
Six Battleships Tacking in Heavy Seas
undated
271
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
272
unknown artist
Two Frigates
undated
273
unknown artist
Rochefort 1776
1776
274
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
275
Gangaram Chintaman Tambat, active 1790s
Exterior View of Keylas (Kailasanatha)
ca. 1795
276
Roger Morris, 1695–1749
Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
between 1732 and 1739
277
Henry Wigstead, ca. 1745–ca. 1800
Interior of the Brandenburg House Theatre, Hammersmith
ca. 1792
278
Cornelius Varley, 1781–1873
View of a House
undated
279
attributed to Paul Sandby, 1731–1809
Two Boats at Anchor
undated
280
unknown artist
West Cowes, Isle of Wight
undated
281
James Bruce, 1730–1794
The Ruins of Carthage
ca. 1769
282
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
283
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
284
John Donowell, active 1753–1786
A View of Esq. Turner's Garden at Valence in Kent
undated
285
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
286
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
287
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
288
Isaac Weld, 1774–1856
On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
ca. 1817
289
Isaac Weld, 1774–1856
Village on a Lake
ca. 1817
290
Isaac Weld, 1774–1856
St. Martyns Bruche
ca. 1826
291
Isaac Weld, 1774–1856
An Execution, Rome
1819
292
Isaac Weld, 1774–1856
Costume at Procida-Naples
1818
293
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
294
Heneage Finch fourth Earl of Aylesford, 1751–1812
Tenby
undated
295
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
296
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
297
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
298
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
299
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
300
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde