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Collection Prints and Drawings

Work Type intaglio print

Joseph Mallord William Turner St. Michael's Mount

Print made by Joseph Mallord William Turner, 1775–1851

St. Michael's Mount

1820 to 1826

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

1820 to 1826

Joseph Mallord William Turner Paestum

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

ca. 1825

Joseph Mallord William Turner Study of Sea and Sky

Print made by Joseph Mallord William Turner, 1775–1851

Study of Sea and Sky

1820 to 1826

Joseph Mallord William Turner Bridge and Monument

Print made by Joseph Mallord William Turner, 1775–1851

Bridge and Monument

1820 to 1825

Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi

Etched by Joseph Mallord William Turner, 1775–1851

Chain of Alps from Grenoble to Chamberi

1812

Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi

Etched by Joseph Mallord William Turner, 1775–1851

Chain of Alps from Grenoble to Chamberi

1812

Joseph Mallord William Turner River Wye

Etched by Joseph Mallord William Turner, 1775–1851

River Wye

1812

Joseph Mallord William Turner Solitude

Etched by Joseph Mallord William Turner, 1775–1851

Solitude

1814

Joseph Mallord William Turner Rivaux Abbey, Yorkshire

Etched by Joseph Mallord William Turner, 1775–1851

Rivaux Abbey, Yorkshire

1812

Joseph Mallord William Turner Norham Castle on the Tweed

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Joseph Mallord William Turner The Source of the Arveron in the Valley of Chamouni, Savoy

Etched and engraved by Joseph Mallord William Turner, 1775–1851

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Joseph Mallord William Turner The Alcove, Isleworth

Etched by Joseph Mallord William Turner, 1775–1851

The Alcove, Isleworth

1819

Joseph Mallord William Turner Inverary Castle and Town, Scotland

Etched by Joseph Mallord William Turner, 1775–1851

Inverary Castle and Town, Scotland

1816

Joseph Mallord William Turner Aesacus and Hesperie

Etched by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner East Gate, Winchelsea, Sussex

Etched by Joseph Mallord William Turner, 1775–1851

East Gate, Winchelsea, Sussex

1819

Joseph Mallord William Turner Isis

Etched by Joseph Mallord William Turner, 1775–1851

Isis

1819

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Ben Arthur, Scotland

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner Sheep-Washing, Windsor

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Sheep-Washing, Windsor

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

1813 to 1823

Joseph Mallord William Turner Sheep-Washing, Windsor

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner Dumbarton Rock

Etched by Joseph Mallord William Turner, 1775–1851

Dumbarton Rock

between 1813 and 1823

Joseph Mallord William Turner Dumbarton Rock

Etched by Joseph Mallord William Turner, 1775–1851

Dumbarton Rock

between 1813 and 1823

Joseph Mallord William Turner Crowhurst

Print made by Joseph Mallord William Turner, 1775–1851

Crowhurst

between 1813 and 1823

Joseph Mallord William Turner The Stork and Aqueduct

Etched by Joseph Mallord William Turner, 1775–1851

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner Ploughing, Eton

Etched by Joseph Mallord William Turner, 1775–1851

Ploughing, Eton

1813 to 1823

Joseph Mallord William Turner Flounder Fishing, Battersea

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Flounder Fishing, Battersea

between 1813 and 1823

Joseph Mallord William Turner The Evening Gun

Print made by Joseph Mallord William Turner, 1775–1851

The Evening Gun

ca. 1825

Joseph Mallord William Turner Scene in the Campagna

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

Joseph Mallord William Turner Crowhurst

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

Joseph Mallord William Turner St. Mary's Redcliffe, Bristol

after Joseph Mallord William Turner, 1775–1851

St. Mary's Redcliffe, Bristol

1814

Joseph Mallord William Turner Windsor Castle from Salt Hill

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

Joseph Mallord William Turner Hedging and Ditching

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

Joseph Mallord William Turner Little Devil's Bridge over the Russ above Altdorft, Switzerland

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

Joseph Mallord William Turner Paestum

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

between 1820 and 1826

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

between 1820 and 1826

Joseph Mallord William Turner Ship in a Storm

Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

between 1820 and 1826

Joseph Mallord William Turner Gloucester Cathedral

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

between 1820 and 1826

Joseph Mallord William Turner London from Greenwich

Etched by Joseph Mallord William Turner, 1775–1851

London from Greenwich

1811

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Water; Plate 4

Print made by William Blake, 1757–1827

Water; Plate 4

1793

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake What is Man!, Frontispiece; Plate 1

Print made by William Blake, 1757–1827

What is Man!, Frontispiece; Plate 1

1793

William Blake For Children. The Gates of Paradise, Title Page; Plate 2

Print made by William Blake, 1757–1827

For Children. The Gates of Paradise, Title Page; Plate 2

1793

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

William Blake Air; Plate 6

Print made by William Blake, 1757–1827

Air; Plate 6

1793

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Earth; Plate 5

Print made by William Blake, 1757–1827

Earth; Plate 5

1793

William Blake Fire; Plate 7

Print made by William Blake, 1757–1827

Fire; Plate 7

1793

William Blake My Son! My Son!; Plate 10

Print made by William Blake, 1757–1827

My Son! My Son!; Plate 10

1793

William Blake Does Thy God O Priest Take such Vengeance as This?; Plate 14

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This?; Plate 14

1793