The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
4
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
5
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
6
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
7
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
8
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
9
Print made by William Blake, 1757–1827
William Cowper
1803-1804
10
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
11
Thomas Uwins, 1782–1857
Gil Blas Practicing Medicine Under Dr. Sangrado
between 1820 and 1822
12
unknown artist
Malvoleo
undated
13
Print made by Valentine Green, 1739–1813
Mrs. Yates, in the Character of the Tragic-Muse
1772
14
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
15
Print made by Jacob Gole, 1660–1737
Nicolaus Boileau Despreaux
1704
16
Print made by Valentine Green, 1739–1813
The Bedford Family
1778
17
Print made by James McArdell, ca. 1729–1765
Ghismonda
undated
18
Print made by William Strang, 1859–1921
Macbeth's Witches
1882
19
Print made by Arnold Fawcus, 1917–1979
Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"
1972
20
David Scott, 1806–1849
Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
ca. 1831
21
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
ca. 1831
22
David Scott, 1806–1849
Christian, Accompanied by Discretion, Piety, Charity and Prudence
ca. 1831
23
David Scott, 1806–1849
Hearing the Music of the Spheres
ca. 1831
24
Thomas Sibson, 1817–1844
The Baron's Hall of Chaucer's Time
1844
25
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
ca. 1831
26
David Scott, 1806–1849
Christian and Hopeful in the Castle of Giant Despair
ca. 1831
27
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
28
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
29
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
30
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
31
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
32
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
33
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
34
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
35
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
36
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
37
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
38
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
39
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
40
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
41
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
42
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
43
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
44
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
45
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
46
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
47
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
48
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
49
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
50
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
51
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
52
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
54
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
55
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
57
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
58
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
60
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
62
William Ward, 1766–1826
The late Mrs Pope as Juliet
63
John Raphael Smith, 1752–1812
Rosalind
64
A. Birrell, ca.1770–ca. 1820
Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)
65
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
ca. 1831
66
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831
67
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
ca. 1831
68
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
69
Jacobus Houbraken, 1698–1780
Benjamin Johnson
1738
70
James Heath, 1757–1834
Samuel Johnson
1791
71
William Sharp, 1749–1824
John Philip Kemble
undated
72
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
73
Francesco Bartolozzi, 1728–1815
Edmond Malone, Esqr
1787
74
Robert Cooper, ca. 1800–1836
Reverend William Mason
undated
75
Valentine Green, 1739–1813
David Garrick Leaning on a bust of William Shakespeare
1769
76
James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
1762-1764
77
John Faber the Younger, ca. 1695–1756
John Locke, Esq
undated
78
Niccoló Schiavonetti, 1771–1813
Samuel Johnson
1809
79
Print made by Thomas Cook, 1744–1818
Samuel Johnson
1787
80
John Keyse Sherwin, c.1751–1790
James Macpherson
1775
81
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
82
Charles Knight, 1743–c.1826
Edmond Malone, Esqr
undated
83
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
84
Print made by Thomas Abiel Prior, 1809–1886
Dido Building Carthage
1863
85
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
86
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
87
Print made by James T. Willmore, 1800–1863
Italy - Childe Harold's Pilgrimage
1861
88
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
89
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802
90
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
91
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
92
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
93
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
94
Print made by unknown artist
Italy - Childe Harold's Pilgrimage
between 1852 and 1856
95
Print made by Edward Goodall, 1795–1870
The Nile
1839
96
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
97
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain
undated
98
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
99
Print made by Arnold Fawcus, 1917–1979
First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray