Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
104
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
105
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
106
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
107
Robert Smirke, 1752–1845
Katherina and Grumio
1821
108
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
109
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
110
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
111
Valentine Green, 1739–1813
Rinaldo and Armida
1775
112
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
113
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
114
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
115
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
116
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
117
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
118
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
119
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
120
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
121
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
122
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
123
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
124
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
125
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
126
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
127
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
128
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
129
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
130
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
131
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
132
Mary Hoare, 1744–1820
Prospero and Miranda
1781
133
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
134
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
135
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
136
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
137
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
138
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
139
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
140
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
141
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
142
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
143
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
144
Robert Cooper, ca. 1800–1836
Reverend William Mason
undated
145
Print made by James T. Willmore, 1800–1863
The Golden Bough
1856
146
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
147
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
148
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
149
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
150
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
151
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
152
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
153
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
154
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
155
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
156
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
157
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
158
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
159
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
160
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
161
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
162
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
163
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life